Abstract

Two audiovisual works explore the role of women in the matrilinealtransmission of samba and rumba, generational changes, and the relationshipbetween men and women revealed in the body movements. The first case studyfollows the Jelita family, which hails from Saubara in the state of Bahia, Brazil,and the second, a family headed by a woman named Lidia in Trinidad, Cuba.A supplementary text lays out the methodology used for the study, the culturaland historical background of the two cases, and an analysis of women’s role inperpetuating these female body memories and the places for their transmission.

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