Abstract

Dirty and invisible things, by Stephen Frears, enacts the tensions, the invisibility and non-translation of peripheral nationalities for whom the diaspora seems to correspond to a compulsory passage: the imposition of transnational capital in the postmodern metropolis. London is a stage not only of a “stories war”(using the words of Michel de Certeau), but of intransitive speeches. The free transit, to be conferred by the passport, pays the tribute of the body.

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