Abstract
The present article aims to map relations between the poetical work by Antonio Reis and his cinematographic work, directed alongside with Margarida Cordeiro. Such relations will be both formal, considering the procedures of film editing and the literary resources, as well as thematic. What’s poetic in Reis and Cordeiro’s films? What’s cinematographic – or shall we say cinematic? – in Antonio Reis’ poems? Taking as starting point the notions of cinema of poetry (Pier Paolo Pasolini) and cinema from poetry (Rosa Maria Martelo), we will try to approach the creation of an atmosphere (Jose Gil) and a common style to the aesthetic productions by Antonio Reis, briefly, a way-of-life (Giorgio Agamben)?
Sign-in/Register to access full text options 
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
