Abstract
This book offers a thorough investigation of political dramaturgy within the context of the 2010 Regional Head Elections in Surabaya. It spans six chapters, exploring the historical and theoretical foundations of political dramaturgy and providing a detailed case study of its application in Surabaya's electoral politics. Drawing on Erving Goffman's concepts of dramaturgy, the book illustrates how political interactions resemble theatrical performances, encompassing both "frontstage" and "backstage" elements. The backstage arena includes all the necessary preparations for the actors' performances on the front stage, ranging from research to logistical and technical requirements. In contrast, the front stage focuses on the actors' skills in impression management, which involve face-to-face interactions and the use of technology to effectively communicate political messages and influence public opinion. Overall, this book highlights the importance of dramaturgical elements in shaping electoral strategies and provides valuable insights into the complex interplay of cultural, social, and political factors that affect the dynamics of electoral politics at the local level.Keywords: political dramaturgy; regional elections; electoral politics
Published Version
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