Abstract
This paper reveals the form of the presentation in Atilah Soeryajaya's Bedhaya Samparan Dance Matah Ati. The idea of creation in this dance is derived from the story of Matah Ati and Mangkunegara I. Qualitative methods with a phenomenological approach were chosen to explore the phenomenon of art in this writing. The visual form of bedhaya, which is a little different from bedhaya in general, makes this dance need to be studied further. The difference lies in the use of more than one property, the structure of the presentation, the number of dancers, costumes, and floor patterns.
 Keywords: bedhaya, phenomenon, form
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