Abstract

Este artigo trata de como os temas do autoritarismo e da democracia são abordados nos filmes Jânio a 24 Quadros (1981, de Luís Alberto Pereira) e Jango (1984, de Silvio Tendler), dois documentários produzidos durante o processo de redemocratização do Brasil. Por meio da análise dos aspectos formais/estéticos dos dois filmes, pretendemos estabelecer um diálogo entre Cinema Documentário e História do Brasil.

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