Abstract
This article presents an analysis of Natália Barros' book, titled Ensaios do corpo no lugar de morar (2021). The book deals with a theoretical, practical, and collaborative research within the realms of architecture, dance, scenography, performance design, and digital tools. Numerous artists from across the globe have come together, catalysing performative experiments that challenge conventional notions of dwelling. The aim of this article is to provoke reflections on the bodily experience within the home amid the global backdrop of the pandemic, based on a digital performative experiment that appears to blend an expanded conception of scenography with certain elements of domestic life.
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