Abstract

Abstract: In early 1999 the conflict in Kosovo led to the apocalyptic scenario of NATO-sanctioned bombings of the former Federal Republic of Yugoslavia. One of the targets was the complex of buildings comprising the military headquarters in Belgrade: the Generalštab. Over the past twenty years no intervention has been made to repair and protect this cultural monument damaged by war, but its mental image has inevitably changed, transgressing the identity of the historical event. The drawing project The Generalštab Building as Image: A History Decomposeddeals with an aesthetic reflection on political bodies and conditions, asking how they have re-territorialised the material reality of the Generalštab building as a cultural artifact into the performativity of its political function. Keywords: War, cultural monument, visual narratives, perception.

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