Abstract

As an artist I design figured velvets and weave them on multi-shaft dobby and Jacquard looms. I collect design ideas by studying textiles, tileworks and pavement patterns. Symmetry helps me see through the bewildering detail and complexity to discern the underlying organization. This paper describes the role symmetry plays in my design process from initial design sketch through the point paper translation onto the mechanics of weaving geometric patterns in my figured velvets.

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