Abstract
This article analyses the national project composed by the peruvian party Acción Popular, founded by the architect Fernando Belatinde Terry in the decade of 1950. It tries to apprehend the relations between this project and the troubled historical context in which it came up, and the reasons of its important repercussion in that society. This work's central hypothesis is that the specifities of the peruvian modernization process have contributed to shape this political alternative, presented as a third position based on the peruvian traditions. Key-words: Modernization; Reformation; National Project; Incorporation.
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