Abstract
Nazi ideology appropriated many traditions of thought, syncretistically combining them to justify German’s racial superiority. This belief stems from Volkist thought, with its concept of the Aryan/Germanic superman, racial purity and the connection to ‘blood-and-earth’. Ancient art, which was the formal basis for the architecture and sculpture of the Third Reich, was also treated as an expression of Germanic culture.The article discusses how Nazi ideology attempted to combine the volkist concept of Germanicness with the legacy of ancient art, and use both to legitimise the idea of racial superiority justifying the practice of conquest, annihilation and subjugation of other peoples. The juxtaposition of classicist artistic concepts with the shaping of a “Germanicˮ nature also reveals the total dimension of the indoctrination of its own citizens to participate in the construction of a new “orderˮ.
Published Version
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
