Aniko Rekhviashvili's creativity in the context of the development of the choreographic art of Ukraine in the late XX - early XXI centuries

Abstract

The purpose of the article was a comprehensive art criticism analysis of the creative heritage of the choreographer A. Rekhviashvili, during which the main stages of her stage biography were considered, the characteristic features of the staging style were determined. The methodology of the work includes the use of the following cultural research methods: general historical, comparative historical, analytical, biographical, etc. The scientific novelty of the publication lies in the fact that for the first time it comprehensively analyzes the stage achievements of the choreographer A. Rekhviashvili, establishes the influence of her work on the development of national ballet art late XX - early XXI centuries. Conclusions. Choreographer A. Rekhviashvili can without a doubt be considered one of the most progressive Ukrainian choreographers of our era since the stage works created by her: dance miniatures, one-act performances, and multi-act ballet canvases - "Vienna Waltz" (2001), "Daniela" (2006), “Lady with Camellias” (2014), “Daphnis and Chloe” (2015), “The Snow Queen” (2016), “Julius Caesar” (2018), etc. - highly appreciated by modern ballet experts and recognized as the brightest examples of Russian choreographic art of the border XX – XXI centuries, in which academic traditions and new forms of plastic expressiveness were harmoniously combined.