Abstract
O objetivo desse artigo é analisar os poemas ‘Inscrição” e ‘Poema final”, de Camilo Pessanha, sob o prisma da negação, estando essa análise ancorada nas perspectivas filosóficas de Martin Heidegger em Ser e tempo (2015) e Arthur Schopenhauer em O mundo como vontade e representação (2015).
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