Abstract
Why did Mumbai's famous dance bars have to close in 2005? This paper analyses the ban and its aftermath in terms of (1) a colonial and post-colonial genealogy of the regulation of allegedly obscene public performances in India and (2) the provocative location of the dance bars vis-à-vis the cultural politics of consumerist globalisation. Combining a reading of arguments around the ban with first-hand ethnographic vignettes, the paper is a contribution to a critical analysis of the politics of publicity in India.
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