Abstract

There have been considered the state and perspectives of propagation of the performance on folk instruments, on the bandura in particular, in the youth cultural environment and modern educational practice of Ukraine, Ternopil region in particular.There has been raised the problem of popularization of the performance on folk instruments in the context of modern socio-cultural and educational processes.It is noted that contemporary performing arts on folk instruments reflected the characteristic tendencies of Ukrainian art development at the end of the 20th – beginning of the 21st century. It is based on the established educational base of Ukrainian artistic institutions of different levels of accreditation, on the extensive concert and festival network. The solo instrumental, vocal-instrumental and ensemble performance has been actively developed and a galaxy of performers has been established conducting active concert activities in Ukraine and abroad.Attention is focused on the representation of Ukrainian musical groups with the involvement of folk instruments, both academic and the youth popular groups and performers.It is emphasized that during the period of popularization of the performance on folk instruments, the appeal to the sphere of mass culture and the interpretation of world “hits” and cover versions, the active participation of instrumentalists in show projects and festivals, in international contests, etc., is becoming characteristic new forms of youth music: the so called “club projects”, “apartment concerts”, theme parties, joint performances with famous rock or pop musicians, etc.There has been analysed the activities of famous representatives of Ternopil region: instrumental chapels, the student instrumental chapels and orchestras, instrumental performers, who contributed greatly to the popularization of the performance on folk instruments.Among them there are the Strusiv Bandurist Choir “Kobzar” and the studio “Kobzaryk”, the bandura chapel “Mriya” (Chortkiv), the “Vatrivchany” ensemble, the “Oriana” trio (subsequently the quartet), the “Roxolana”, “Stritennia”, the duet “Elegy of Strings”, creative collectives operating in educational institutions of Ternopil and Ternopil Region. More thoroughly there has been presented concert and festival competition activity of instrumental groups at the Ternopil Volodymyr Hnatyuk National Pedagogical University, Terebovyany College of Culture and Arts.

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