Abstract
The article is devoted to the study of the role of music and sound effects in the Anglo-American cinematograph. An attempt is made to assess the political and symbolic potential of media resources for representing the «image of another». To this end, the author examines a number of specific films created at different stages of the Cold War. Conclusions are made about the use of the following methods of media construction: noir representation, political-satirical spectrum, modes of address-local or mixed/combined borrowing of compositions, imitation of a «different» culture.
Highlights
The article is devoted to the study of the role of music and sound effects in the Anglo-American cinematograph
The author examines a number of specific films created at different stages of the Cold War
Conclusions are made about the use of the following methods of media construction: noir representation, political-satirical spectrum, modes of address-local or mixed/combined borrowing of compositions, imitation of a «different» culture
Summary
Аккорды «холодной войны»: музыка как ресурс для репрезентации «образа другого» Аккорды «холодной войны»: музыка как ресурс для репрезентации «образа другого» в англо-американском кинематографе Юдин Кирилл Александрович, кандидат исторических наук, доцент кафедры истории и культурологии, yudin-kir88@yandex.ru, https:// orcid.org/0000-0001-9579-7056, исполнитель по гранту, Санкт-Петербургский государственный университет
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