Abstract
Modern installation appeared in the Chinese art in the mid-1960s, a little later than in the West. From its inception to the present, a new type of Chinese art has used political themes and plots. Unlike modern Chinese painting, which reflected the influence of modernism, since the 1980s installation has been a relevant form of artistic expression that distinguishes Chinese postmodernism. The modern installation of the People's Republic of China seems to be a new creative form in the field of Chinese conceptualism.
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