«СОЮЗ» ХУДОЖНИКА С НЕЧЕЛОВЕЧЕСКИМ АГЕНТОМ – УТОПИЯ ИЛИ РАБОЧАЯ МОДЕЛЬ ХУДОЖЕСТВЕННОГО ПРОИЗВОДСТВА?

Abstract

The subject of the article: works of contemporary art created by non-human agents, on the example of which one can analyze the ways of interaction of contemporary artists with non-trivial media (algorithms, robots, "half-life artists", etc.). The object of the article: the impact of technological innovations on contemporary art production, as well as the need, in connection with the artist's appeal to science and the latest technologies, to rethink the goals and objectives of communication through images and the very concept of art. The purpose of the project: to update the information for the scientific world about the strategies of interaction between a human artist and a non-human agent, as well as about the nature of this interaction. Results of the work: the study showed that the creation of a work of art (both physical and as part of a post-production strategy, as a re-significance) – despite the criticism of anthropocentrism by representatives of the Actor-Network Theory and individual media theorists, should still be understood as purposeful activity inherent in a human, but not in a non-human agent. Appeal to non-human agents can be considered within the framework of the paradigm of "assistive technologies" and "chimerical" actor. Scope of the results: expanding the boundaries of the application of art history methodology and related disciplines, which contributes to the development of a language for describing the phenomena of contemporary art in the interdisciplinary field of modern media, in particular, in the dynamically developing field of art & science. Conclusion: Based on the results of this study, key trends were identified that determine the nature of our interaction with the other in the process of creating a work of art and interacting with it.