Abstract
The article is devoted to the consideration of the mythologizing receptive model in relation to the fact of the creative biography of N. V. Gogol, the unfinished poem “Dead Souls”, in the cycle of essays by the modern writer V. Otroshenko “Gogoliana”. The author analyzes V. Otroshenko’s reliance on the complex of ideas of the philosopher L. Wittgenstein during the creation of the “Tractatus Logico-Philosophicus” based on the understanding and reconstruction of the causes of Gogol’s creative crisis. The ontological aspect of the interpretation of the relationship between Gogol’s creative consciousness and language, proposed by Otroshenko, is revealed.
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