Abstract
The paper investigates the religious language interpretation in the contemporary continental philosophic theology. The author presents the central role of the imagination and metaphor in theological language. The diacritical hermeneutics of Richard Kearney is analyzed as an example of the theological language transition from the theologics to theopoetics. Modifications in the theological language are associated with transformations in the understanding of theology itself, which becomes a topological and tropological study. It considers the interpretation of imagination in Kearney’s early works, his attempts to describe “paradigmatic shifts” in the human understanding of imagination in different epochs of Western history. The author highlights mimetic paradigm of the pre-modern imagination, productive paradigm of the modern imagination and parodic paradigm of the postmodern imagination. Analysis of Kearney’s “biblical” interpretation of imagination allows one to understand the imagination as the point of contact of God with humanity. She also considers how Ricoeur’s theory of metaphor influences the development of the poetic language in postmodern Christian theology and demonstrates that poetic and religious languages are brought together by an “imaginative variations”. The author argues that turning to imagination in religious language allows theological hermeneutics to move from the static to kinetic images of God.
Published Version
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