Abstract

The border decorative patterns of Hanwha Sangseok is usually engraved on the edge of the painting in the form of a band, and it can be said to be the same as the frame of the picture screen. The existence of the border decorative patterns meets the decorative demand of Hanwha Sangseok and at the same time harmonizes with the main designs of Hanwha Sangseok to give artistry to the picture screen. The decorative patterns of Hanwha Sangseok forms an art element with very distinct ethnic characteristics through its own unique expression method and implements excellent innovation and value in use. With the application of Hanwha Sangseok border decoration patterns as the research topic, this paper organizes border decoration patterns by pattern type and explores the aesthetic significance of Hanwha Sangseok border decoration patterns from an aesthetic and humanistic perspective. In addition, by extracting the elements of the border decoration pattern, a new pattern is created and applied to the design of daily necessities through combination with the shape grammar system. The decorative pattern created using the rules of shape grammar is not too bound by the typical frame of the original decorative pattern while making use of the art elements of the Hanwha Sangseok border decorative pattern. This study more effectively implements the ethnicity and redesign potential of decorative patterns by seeking a contact point between decorative patterns with ethnic characteristics and modern design through the combination of shape grammar systems and Hanwha Sangseok border decorative patterns.

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