Abstract
This paper is one of the four great forests of China, and analyzes Wen Zhengming's 「the Thirty One Poems of ZhuozhengYuan」, which was built against the backdrop of the ZhuozhengYuan Garden created by Wang Xianchen, and examines the significance of this work. First, we looked at the interaction activities of Wang Xianchen and Wen Zhengming through the background of the Sol Garden Garden Garden. In 「the Thirty One Poems of ZhuozhengYuan」 it was confirmed that Wen Zhengming tried to give symbolic meaning to the landscape and planted plants in the garden, and through this, he tried to shape his silver-day ideas and life orientation. Therefore, looking at 「the Thirty One Poems of ZhuozhengYuan」, which aesthetically projects the landscape of the garden, the description of the plants, and the poet's own landscape and spatial consciousness, will be very helpful in grasping the silver-day ideas of the writers at the time. In this paper, first, we looked at how the reclusive idea was embodied through the landscape analysis of 「the Thirty One Poems of ZhuozhengYuan」, and second, through the plant city analysis of 「the Thirty One Poems of ZhuozhengYuan」, the lost water shown in 「the Thirty One Poems of ZhuozhengYuan」 is recognized as a medium symbol of the fresh world or ideal world. Through this process, it was considered that the analysis and understanding of 「the Thirty One Poems of ZhuozhengYuan」 were very important values in learning the thoughts and intentions of the writers at the time when they enjoyed silver-il culture in the garden.In addition, this paper is of great significance in that it revealed that the Sol Garden Garden, which combines literary implications and is equipped with poetry, is used as a space to form a silver-day culture. For this reason, this paper revealed that it is valuable as a unique artistic space for Appreciate both elegance and popularity in that it has become a space where you can appreciate the beauty of beautiful silver-day literary works achieved in harmony with space.
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