宋代 한 시인의 南方 여행

Abstract

This Study focused on Yang Wanli(楊萬里)'s Official Travel Poetry work(宦遊詩), which drew “Nature” as Poetry Materials during the two-month journey to work in 1180. The purpose of this study is to analyze the natural shape of the south drawn in these works and the emotions and psychology of the poet involved in the trip during the official travel process, and to contrast his “Nature” drawn in them with his poetic claims. In the Official Travel Poetry, the style of the work may vary depending on the conditions or psychological conditions in which the poet is in, such as the case of leaving after receiving an official position and leaving after being registered. Yang Wanli's Official Travel Poetry, especially the Official Travel Poetry which was built on the way to Gangdong, used the richness of nature description, natural scenery, and the cleanness of everyday scenery. Yang Wanli saw that “Traveling far” was the only creative way to write poetry, and that the only source of creation was the beautiful appearance of nature that he experienced while traveling around the mountains and streams. In his eyes, “Rivers and Mountains” not only can help the creation of poetry, but itself is almost the life of the poem, and there is no poem regardless of the shape of mountains, rivers, and rainy and sunny days.