АКСІОЛОГІЧНІ ДОМІНАНТИ В ЕПІСТОЛЯРІЇ МІХАЛА ГРАБОВСЬКОГО 40-Х – 50-Х РОКІВ ХІХ СТОЛІТТЯ

Abstract

This article is devoted to integrated research into correspondence of polish literary man M. Grabovskyj, analyzed literary and philosophic views of master in a diachronic aspect, his axiological priorities according to the periods of creation and philosophic views of figure.For the first time it is the attempt of new valuation of his achievements and intentions, consideration and description epistolary heritage of M. Grabovskyj, which include theoretical-literary dialogues with the famous polish artists of XIX c.In his enormous array of letters there are the conceptual reasoning and estimations of both work of separate writers and of that timeliterary process. The looks of writer were constantly evolved.The period of 40th – 50th ages of XIX c. is characterized by correlations of the own theory of romanticism, ambiguousness of communicative structure. Grabovskyj comprehended the nomenclature of texts of romantic canon.The letters of М. Grabovskyj, that became the article of independent analysis first, substantially specify presentation in the relation to his literary-aesthetic program realized in the articles. In that correspondences, especially in those that are addressed to the closest friends he was frank and formulated the positions laconically and clearly. In the letters of artist it is legitimate to see continuation of critical articles. In accordance with the vital looks of the critic, for every catholic there must be a few rules, that, according to his opinion, have to serve an original postulate for every christian. He expounded also an optimistic confidence that everything may change, but not a a few vital positions required to remain permanent during the whole life.