Abstract

Paradigmatic relations between units of poetic text have been a matter of researcher interest for a long time. But scientists usually focus their attention on the semantics level. Commonly, systems of synonyms, antonyms, and lexical and semantic groups are being analysed in terms of the function they have in the text. The holistic paradigmatic system of text lexical units was never the subject of special study. This article purpose is a description of specific paradigmatic systems, that are formed by lexical units functioning in a poetic text. The research is conducted within the framework of functional linguistics, which involves considering the content of the text to be an active mental activity of the author and the perceiver, interacting in the communicative act AUTHOR - TEXT - READER, from the standpoint of the recipient. In the chosen anthropocentric model, paradigmatic text analysis is an attempt to model the process of text perception by the recipient. In contrast to the traditional description of lexical paradigms, the subject of paradigmatic analysis are words and more voluminous intertextual verbal complexes that form a system series as a definition of one or similar concepts or form interconnected perceptual “subject” images in the process of a text or group of texts perception. The study is based on a comparative analysis of Sergei Yesenin's poems “The grove of golden trees has fallen silent” and “Birch”. The presented analysis of the poems shows that the strengthening of the conceptuality entails an increase in the dependence of private paradigms in the hyper paradigm of the text. If we follow a strict analogy with syntax, we can say that the paradigmatic organization of projective texts is closer to parataxis, and conceptual is closer to hypostasis. The study of the paradigmatic organization of the works of Sergei Yesenin proves the expediency of lexical units paradigmatic analysis of the literary text, which opens up the possibility for a more complete interpretation.

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