Abstract

The article gives the analyze of the concept "love" in the poetic cycle "Liebesfrühling" by the German romantic poet F. Rückert. The reconstruction of it shows the techniques of constructing and description of it in the associative-semantic field. The concept “love” and its representatives create many associative connections, making space of the text incessant. Deep aesthetic implications are revealed through lexemes without which it is impossible to understand the text and the poetic picture of the author's world as a whole.

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