Abstract
The problem of falsifications of works of late Soviet art is becoming increasingly urgent and acute for both private collectors and the museum community. One of the reliable and effective methods of detecting falsifications is technological examination, which aims to determine the time of creation of an artwork. The purpose of the present work is to estimate the possibility of using a group of phthalocyanine pigments as a dating pigment for the works of Soviet masters painted in the period from 1950 to 1980. A technological study of more than 150 dated paintings of the mentioned period from various museum and private collections allowed us to identify only 11 works where pigments from the phthalocyanine group were used. Comparison of the research results and archival data on the formulations of paints based on phthalocyanine compounds produced at Leningrad Factory of Artistic Paints allowed us to identify cases when artists used foreign-made paints.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: Vestnik of Saint Petersburg State University of Culture
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
