Abstract
The article considers two large stage directions from Yaroslava Pulinovich’s play “That Very Day”. Each of them is organized in such a way that it contains a list of events that, when converted into theatrical text, must happen on stage. Analysis of those remarks allows seeing some aspects of the creating of an event in modern drama and the meanings generated through such kind of stage directions.
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More From: RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series
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