УНІВЕРСАЛІЗМ ТВОРЧОЇ ПОСТАТІ ОКСАНИ ГЕРАСИМЕНКО (З НАГОДИ ЮВІЛЕЮ МИСТКИНІ)

Abstract

The article deals with the versatile artistic figure of the leading representative of bandura art of our time – Oksana Herasymenko. The purpose of the proposed study is to identify the peculiarities of the creative activity of the artist, which clearly demonstrate and reveal the universalism of her artistic personality. Also, the research notes that in O. Herasymenko, who is a bright representative of the Lviv Bandura School, creative self-realization manifests itself in the versatilness and multi-vector approach. The consideration of all facets of creative activity of the artist clearly demonstrates professional universalism, which is the main qualitative characteristic of her creative and performing activity. Particular attention is paid to the highlighting of performing practice, composing art, pedagogical, scientifically-methodical and socially-educational areas of O. Herasymenko’s works, which co-exist naturally and demonstrate high professionalism; versatilness and multiplicity of her knowledge. It is noted that the feature of the universal creative phenomenon of O. Herasymenko is not only the natural coexistence and mutual influence of the related fields of the artist’s activity, but also that within the one area she works in, new types of her art arise and differentiate. The authors note that in the time of new versatilness of musical professionalism at the end of the twentieth and start of twenty first century the artistic activity of O. Herasymenko is a bright page of modern bandura art. It is aimed at strengthening and raising the image of Ukrainian musical art in the context of Ukrainian national culture and the culture of the world.