Abstract

In comics as multimodal narratives visual and verbal modes interact to create meaning. Colours play an important role in comics, the choice of warm or cold colour palette, as well as bright or muted, influences a reader’s perception and attitude to the described events. Comics have a number of narratological, stylistic, structural and other characteristics. Events in comics can be presented both with the help of a narrator (extradiegetic or intradiegetic) or nonnarratorially by means of images. Strategies of verbal representation, characteristic for comics, include narration boxes, speech balloons and thought bubbles. The temporal structure of the narrative in the analysed comics is linear with some flashbacks. Spatial indicators are incorporated into both verbal and visual components. Mediated focalisation is signaled by such cinematic devices as the over-the-shoulder shot and eyeline match. The analysed comics, which are transformed variants of classic fairy tales, contain modified initial and final fairy-tale formulas and well-known dialogues. Stylistic peculiarities of comics include onomatopoeia and ideograms, i.e. certain symbols with fixed meaning. Quantitative analysis of panel transition types in the analysed comics has demonstrated that in comics with a dynamic plot the action-to-action transition prevails, while in comics containing a detailed description of only several actions the moment-to-moment transition is the most widespread.

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.