Abstract
The study was carried out as part of the poetological direction of modern linguistics of text and textual science. The harmony in the status of a new feature of the text (both artistic and poetic) is considered. Poetic harmony is understood as an aesthetic, functional-denotative, semantic, notional, formal-substantive and systemic-structural center of a poetic text. The regular conceptual relationships of poetic harmony with other textual features are characterized. Such features of the text as systematicity, structurality, functionality and the rest (categorical, differential and additional) are interpreted by the author of the article as the result of the action of the basic properties of harmony: firm order, proportionality, harmony, perfection, beauty, truth, goodness, desire for the Absolute, etc. It is asserted that when correlating the category of “poetic harmony” with well-known textual features, conceptual oppositions of an expanded type are built up, when various aspects of these concepts and corresponding notations appear in the relations of intersection. In addition to the formal-substantive and functional paradigmatic aspects, ethical-aesthetic, perfectionist, energetic and other aspects of these phenomena are also taken into account. It is proved that the general feature of the poetic text “self-organization” enters with the concept of “harmony” into the relationship of identity with elements of partivism. It is concluded that poetic harmony in the system of signs of the poetic text turns out to be the organizing, systematizing “gravitational center”.
Highlights
Признаки текста пронизывают друг друга и пересекаются
Что статус поэтической гармонии как признака текста остается более широким: поэтическая гармония, совмещая в себе качества и свойства гармонии общей, онтологической, философской, этико-эстетической и музыкальной (которые достаточно полно исследованы в науке о гармонии с древнейших времен до сегодняшних дней), совмещает конститутивные свойства явления, категории и текстового признака универсального характера
Summary
Причем такая каузальность характеризуется как разнонаправленная: здесь, в поэтическом тексте, гармония есть цель, средство, процессы и результат не только текстотворчества, поэтического познания и номинации, но и создания особого мира — мира поэтического, усиленного внутренним и внешним миром поэта и текста для того, чтобы приблизиться к истине, подлинности, к коренной (божественной) красоте, любви и добру. Если признаки поэтического текста растворены в гармонии, то и сама гармония есть часть (как цель, средство и результат текстотворчества) каждого из этих признаков.
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