Abstract

The article is devoted to the consideration of P. Kulish's epistolary in the context of «minority» literature. The authors of this theory are J. Deleuze and F. Guattari. Rethinking the key categories of «minor» writing in modern interdisciplinary studies produces a differentiation and refinement of the definitions of «minor»/«small»/«minority» via interpreting various in-between phenomena of literature. Given that in the Ukrainian humanities this theory has not been carefully considered and as a methodological tool has not been updated, the analysis of these works revealed the feasibility of distinguishing concepts derived from the concept of «minor». The main purpose of the study is to reveal the features of Kulish's correspondence through the criteria of minor literature, in particular de(re)territorialization, formation, political semantics. The choice of material is determined by the ambiguity, «encryption» (V. Petrov) of the creative manner, the bilingual nature of the writer's epistolary. The process of self-determination within the Russian epistolary canon affects the nature of language codes. Linguistic transformations in this correspondence, in particular, the mixing of different linguistic elements, have a comedic, parodic character. There is a peripheralization of the dominant n language in terms of social and territorial affiliation. The transmission of Ukrainian pronunciation can be seen not only through the transformation of the Russian epistolary canon, but also as its subversive approach to the creation of a new quality of language in the future.

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