Abstract
The paper investigates the ways of literary modeling of Dubrovnik cultural patterns in the anonymous play Jerko Škripalo, with the aim of illuminating representations (interpreted in the key of theoretical concepts of contemporary cultural studies) of Dubrovnik social reality, ie elements of intangible and material culture. Analyzing the reflexes of everyday life of Dubrovnik society in the 17th century in the literary world of this play, as well as the oscillation between genre and reality in character formation, points to the spectrum of reality and fiction in the artistic pattern of Dubrovnik anonymous comedies, and their cultural significance in the broader context of Dubrovnik Baroque literature.
Published Version
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