Abstract
The article describes a problem of the reception of the shape of Leo Tolstoy by the French writer E.-M. de Vogüé (1848–1910), whose book “Russian Novel” (“Le roman russe”) (1886) never fully been translated into the Russian language, the influence of “neomisticism” and his interpretation of cultural situation in Europe at the end of the 19th century on the interpretation of the personality and creativity of the great Russian writer, revealed the ambiguity and contradictoriness of the assessment, which gives Vogüé to Tolstoy’s worldview.
Highlights
The article describes a problem of the reception of the shape of Leo Tolstoy by the French writer E.-M. de Vogüé (1848–1910), whose book “Russian Novel”
Представителей «католического возрождения» объединяла и общность эстетических взглядов
Что к этому призыву готов присоединиться и Вогюэ, для которого Толстой – великий художник и наивный мыслитель
Summary
The article describes a problem of the reception of the shape of Leo Tolstoy by the French writer E.-M. de Vogüé (1848–1910), whose book “Russian Novel”. Лев Николаевич Толстой в книге Эжена-Мельхиора де Вогюэ «Русский роман» Де Вогюэ (1848–1910), книга которого «Русский роман» (“Le roman russe”) (1886) никогда полностью не была переведена на русский язык. Лев Николаевич Толстой в книге ЭженаМельхиора де Вогюэ «Русский роман» // Рема.
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