Abstract

The article within the relevant linguo-culturological trend in linguistics analyzes the emotional-expressive peculiarities of the phraseological units used in V. S. Vysotsky’s songs for the disco-performance on L. Carroll’s tale “Alice in Wonderland”. The authors try to reconstruct the fragment of the phraseo-poetical worldview created by the poet within the single cycle of melodious poetical works. To evaluate the communicative textual situation the authors use the traditional classification of phraseological units proposed by R. I. Yarantsev.

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