ABSTRACTThis paper weighs in on discussions contemplating the current state of arts programing targeting ‘at risk’ youth as handmaiden to a strategic neoliberal cosmopolitanism. I examine a City of Toronto, Canada, youth governance initiative that sought to link graffiti abatement, neighborhood beautification and gentrification through mural production, and ‘at risk’ youth civic engagement and crime prevention. While these coordinates were designed to harness racialised youth within a matrix of disciplinary practices concerned with risk mediation and economic productivity, program participants and youth workers drew from the aesthetics of multiculturalism as resource to navigate the governance dictates of the Grafitti Transformation Project. I focus on one particular incident that unfolded over a week-long period at a youth serving agency located in one of Toronto’s designated ‘Priority Neighbourhoods’. The incident illustrates in granular detail a politics of multicultural citizenship and belonging articulating at the limits of what was conceived for the project. I then consider analytical and practice lessons to be learned about the political aesthetics and ‘cultures of youth praxis’ by examining the workings of power leveled in such moments of tension, and by assessing the contours of an alternative multicultural sensibility forwarded when disruption occurs.