Note: Special Music Issue's CD is attached inside the back cover. If the blues, as B.B. King says, is passed-down thing, it is a most unusual kind of hand-me-down. For the blues tradition inspires musicians to preserve its legacy even while augmenting it. music, as King says as the tunes on this disc make clear, regenerates itself reinvents itself at the same time. Consider Lovey Williams. Mississippi bluesman a sharecropper, Williams learned his craft from his father from the radio. Here he takes John Lee Hooker's Chillun makes it his own. 1 A passed-down thing ..., B.B. King, 2:07 B.B. King at his home, 11 December 1974. All B.B. King tracks are courtesy of the William R. Ferris Collection #20367, Southern Folklife Collection, Wilson Library, UNC-CH. 2 Boogie Chiliun, Lovey Wiliiarns, 2:14 Lovey Williams: guitar & vocals. Recorded in Morning Star, MS, by William R. Ferris, ca. 1968. Lovey Williams field recordings, William R. Ferris Collection #20367, Southern Folklife Collection, Wilson Library, UNC-CH. infectious pulse of Williams's blues shook the juke joints in Mississippi's Delta, a similar energy, as King suggests, moved inside the region's sanctified churches. Certainly, Fannie Bell Chapman her family praying band testify to the belief in the Holy Spirit's healing power. 3 The sanctified preacher played guitar ..., B.B. King, 0:42 B.B. King, Calhoun Master's Lounge, 1974. 4 When All God's Children Get Together, Fannie Bell Chapman, 1:09 Fannie Bell Chapman: lead vocals. Recorded in Centreville, MS, by William R. Ferris Judy Peiser, Jan. 1974. Fannie Bell Chapman field recordings, William R. Ferris Collection #20367, Southern Folklife Collection. 5 The same feeling ..., B.B. King, 0:14 B.B. King at his home, 11 December 1974. 6 Go Where Send Thee, Fannie Bell Chapman, 3:43 Fannie Bell Chapman: lead vocals. Recorded in Centreville, MS, by William R. Ferris Judy Peiser, July 1973. Fannie Bell Chapman field recordings, William R. Ferris Collection #20367, Southern Folklife Collection. King insists that the worldly blues heal, comfort, cure. (Why wait for the sweet by by?) blues' healing power arrives in many forms. James Son Thomas sings a patchwork traveling nine in which the weary singer reassures himself that things will be better up the road. Lovey Williams remains unconvinced. ribald Williams seems to be having some car trouble: I got a little starter, baby, he growls in a classic line of blues double entendre, and your motor wouldn't go. Williams's amorous difficulties, however, pale in comparison to the off-target lover in Tommy Edwards's hilarious Tears Spoiled My a bluegrass melody that aims to pierce the fleshy body of southern folk songs devoted to spurned sweethearts. But in a reversal from James Thomas won't let you laugh long. By the last verse of his ominous 44 you're convinced that nothing will spoil this singer's aim. 7 Something like a tonic ..., B.B. King, 0:26 B.B. King, Calhoun Master's Lounge, 1974. 8 Beefsteak Blues, James Son Thomas, 4:01 James Son Thomas: guitar & vocals. Recorded in Leland, MS, by William R. Ferris, ca. 1968. James Son Thomas field recordings, William R. Ferris Collection #20367, Southern Folklife Collection. 9 Baby, Let Me Ride in Your Automobile, Lovey Williams, 2:04 Lovey Williams: guitar & vocals. Recorded in Morning Star, MS, by William R. Ferris, ca. 1968. Lovey Williams field recordings, William R. Ferris Collection #20367, Southern Folklife Collection. 10 My Tears Spoiled My Aim, Tommy Edwards, 2:42 Tommy Edwards: guitar & lead vocals. …
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