Previous articleNext article No AccessQuestions of EvidenceJane Austen and the Masturbating GirlEve Kosofsky SedgwickEve Kosofsky Sedgwick Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 17, Number 4Summer, 1991 Article DOIhttps://doi.org/10.1086/448614 Views: 358Total views on this site Citations: 36Citations are reported from Crossref Copyright 1991 The University of ChicagoPDF download Crossref reports the following articles citing this article:Aidan McKearney Changing landscapes: Gay men in the west and northwest of Ireland, Sexualities 25, no.5-65-6 (Dec 2020): 638–659.https://doi.org/10.1177/1363460720981699Aidan McKearney Sexual citizenship: rhetoric or reality for Rural Gay Men in Ireland and England?, Citizenship Studies 25, no.55 (Jul 2021): 678–693.https://doi.org/10.1080/13621025.2021.1952930Doug Battersby Reading by Example: Disciplinary History for a Polemical Age, (May 2021): 91–111.https://doi.org/10.1007/978-3-030-71139-9_5Evan Litwack Lauren Rosewarne, Masturbation in Pop Culture: Screen, Society, Self, Somatechnics 10, no.33 (Dec 2020): 421–423.https://doi.org/10.3366/soma.2020.0331H. 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Champion “Hold me, Gerty, hold me”: Lily Bart's Queer Desire, Edith Wharton Review 35, no.22 (Oct 2019): 96–118.https://doi.org/10.5325/editwharrevi.35.2.0096 Introduction, (Jan 2019): 1–26.https://doi.org/10.1215/9781478005674-001 Shake It Off: The Physiopolitics of Shaker Dance, 1774–1856, (Jan 2019): 27–51.https://doi.org/10.1215/9781478005674-002 The Gift of Constant Escape: Playing Dead in African American Literature, 1849–1900, (Jan 2019): 52–86.https://doi.org/10.1215/9781478005674-003 Feeling Historicisms: Libidinal History in Twain and Hopkins, (Jan 2019): 87–123.https://doi.org/10.1215/9781478005674-004 The Sense of Unending: Defective Chronicity in “Bartleby, the Scrivener” and “Melanctha”, (Jan 2019): 124–157.https://doi.org/10.1215/9781478005674-005 Sacra/Mentality in Djuna Barnes’s Nightwood, (Jan 2019): 158–186.https://doi.org/10.1215/9781478005674-006 Notes, (Jan 2019): 191–198.https://doi.org/10.1215/9781478005674-007 References, (Jan 2019): 199–217.https://doi.org/10.1215/9781478005674-008Doreen Thierauf TENDING TO OLD STORIES: DANIEL DERONDA AND HYSTERIA, REVISITED, Victorian Literature and Culture 46, no.22 (May 2018): 443–465.https://doi.org/10.1017/S1060150318000086Susan S. Lanser Aging with Austen, PMLA/Publications of the Modern Language Association of America 133, no.33 (Oct 2020): 654–660.https://doi.org/10.1632/pmla.2018.133.3.654Michael Greaney ‘The Yawns of Lady Bertram’: Sleep, Subjectivity and Sociability in Jane Austen, (Apr 2018): 37–74.https://doi.org/10.1007/978-3-319-75253-2_2Marina Cano Jane and Fans, (Dec 2016): 155–181.https://doi.org/10.1007/978-3-319-43988-4_8Cheryl A. Wilson The Emma Problem, (Sep 2017): 99–125.https://doi.org/10.1007/978-3-319-62965-0_4Cheryl A. Wilson “A Girl Writing of Girls”, (Sep 2017): 127–164.https://doi.org/10.1007/978-3-319-62965-0_5 Ok Rae Kim A study on Ang Lee’s Sense and Sensibility, focusing on the implied social criticism, STEM Journal 16, no.33 (Aug 2015): 23–43.https://doi.org/10.16875/stem.2015.16.3.23Neil Cocks The Child and the Return, (Jan 2014): 15–33.https://doi.org/10.1057/9781137452450_2Merri Johnson, Robert McRuer Introduction, Journal of Literary & Cultural Disability Studies 8, no.33 (Jan 2014): 245–256.https://doi.org/10.3828/jlcds.2014.21Lynda Zwinger Straight sex, queer text: American women novelists, (May 2012): 576–589.https://doi.org/10.1017/CHOL9781107001374.031Ann-Marie Cook Cleaning up the queer: Sex, love and ideology in Stephen Wallace's For Love Alone, Studies in Australasian Cinema 5, no.11 (Jan 2014): 59–70.https://doi.org/10.1386/sac.5.1.59_1HINA NAZAR T HE I MAGINATION G OES V ISITING, Nineteenth-Century Literature 59, no.22 (Sep 2004): 145–178.https://doi.org/10.1525/ncl.2004.59.2.145Amanda Berry Some of my Best Friends are Romanticists: Shelley and the Queer Project in Romanticism, Romanticism on the Net , no.36-3736-37 (Jul 2005).https://doi.org/10.7202/011137arDwight Atkinson Writing and culture in the post-process era, Journal of Second Language Writing 12, no.11 (Feb 2003): 49–63.https://doi.org/10.1016/S1060-3743(02)00126-1Nicholas Dames Austen's Nostalgics, Representations 73, no.11 (Feb 2001): 117–143.https://doi.org/10.1525/rep.2001.73.1.117 Delicacy and Disgust, Mourning and Melancholia, Privilege and Perversity, (Jan 1997): 21–32.https://doi.org/10.1215/9780822398233-002 Bon Chic, Bon Genre, (Jan 1997): 33–54.https://doi.org/10.1215/9780822398233-003 Kiss Me, Stupid, (Jan 1997): 55–76.https://doi.org/10.1215/9780822398233-004 Taste, Waste, Proust, (Jan 1997): 77–111.https://doi.org/10.1215/9780822398233-005 Expensive Tastes, (Jan 1997): 112–149.https://doi.org/10.1215/9780822398233-006 Notes, (Jan 1997): 151–169.https://doi.org/10.1215/9780822398233-007 Works Cited, (Jan 1997): 171–175.https://doi.org/10.1215/9780822398233-008Alison Conway Nationalism, revolution, and the female body: Charlotte Smith's Desmond, Women's Studies 24, no.55 (Jun 1995): 395–409.https://doi.org/10.1080/00497878.1995.9979068