Abstract
ABSTRACT The Beatles’ song “Happiness is a Warm Gun” is the sprawling centerpiece of their iconic 1968 release “The White Album.” This article explores the postmodern dimensions of the song through a musicological analysis of its fragmented musical form; the textual analysis that follows explores how the lyrics create a space in which dominant ideologies are questioned through carnivalesque imagery. Ultimately, this article advances the argument that “Happiness is a Warm Gun” uses postmodern sounds and words to function as a surreptitious protest song, driven by carnivalesque lyrics, enigmatic imagery, and non-conventional musical form.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.