War Memorial Research Articles

“To the crematorium”: postwar U.S. tourism to West German concentration camps and beyond

AbstractFor a long time since the end of the Second World War, the memory of concentration camps influenced U.S. public views on Germany. When in the late 1940s Americans could travel to West Germany again, a new tourist industry brought West Germany, and with-it Germany’s recent past, closer to the U.S. American public. This article investigates the renewed travel interest of Americans in West Germany with a special focus on former concentration camp sites. It demonstrates the importance of tourism in creating new cultural ties, the ways in which U.S. tourism to the camps established a memory of the Second World War, and how these narratives influenced German-American relations. In newspaper articles, visitors to West Germany shared their experiences, attitudes, and challenges upon visiting the former concentration camp sites and through those interactions made sense of the war and their own position in the postwar world order.

War memories of a military service evader and combat fatigue

War memories of a military service evader and combat fatigue

Unsung Heroes in Sabah’s Historiography: The Indigenous Community in the Anti-Japanese Movement in North Borneo, 1942–1945

The Petagas War Memorial, erected in 1946, is the official symbol of Sabah’s anti-Japanese resistance between 1942 to 1945. The memorial focuses on the predominantly Chinese Kinabalu Guerrilla Defence Force (KGDF), which managed to secure vital assistance and cooperation from Sabah’s peribumi (indigenous) community. However, it does not adequately capture their contributions despite becoming the backbone of KGDF. Without them, the anti-Japanese movement would not have run smoothly nor achieved any form of success (albeit short-lived). On the 21st of January, the war memorial hosts an annual commemoration of KGDF against Japan. However, it tends to ignore the contributions of indigenous fighters. Therefore, this study seeks to examine the recognition that should have been given to Sabah’s indigenous fighters against the Japanese occupation in Sabah, exploring the cooperation between Sabah’s indigenous community and the KGDF in the anti-Japanese movement between 1942 and 1945. The aim is to place the role of former fighters in its proper context. This study is based on library research as well as interviews. The primary resources from the library research are derived from reports, files and newspapers found in the Sabah State Archives. Interviews are utilised to complement archival sources, especially in the absence of written records.

Not for those of us who know war well: crisis, metaphor negotiation and collective memory in an era of war

ABSTRACT The use of war metaphors in COVID–19 crisis communication has prompted great metalinguistic attention and highlighted the role of conflict memory in crisis discourse. Still, discourses of collective memory are to date rarely integrated with the study of metaphor and crisis communication, though frequently observed in crisis metaphor analyses in post–conflict contexts. This study focuses on the relations between the war metaphor and war memory as seen specifically in post–conflict settings. Set across three post–Yugoslav states, it starts from an examination of WAR metaphor use and its relations to war memory discourses in early pandemic political leaders' announcements, and citizen responses to these. Second, it zooms in on the patterns of metaphor negotiation and contestation in citizen discourses in particular. The findings show how the early pandemic discourse drew on heavily militarized metaphoricity, which revived nationalist images of the country's violent breakup in the 1990s but also gave rise to ample contestation in public space, revealing differing positionings in politicians' and citizens' discourses. The analysis allows a discussion of some implications pertaining to the relations of metaphor, collective memory and crisis communication, as well as the increasingly laden affective potentials of war and history in times when ‘war is never far away’.

Settler militarism: Affective colonial pursuits and the militarized atmosphere of war commemoration

This article examines settler militarism and how it is mobilized through affective practices that ultimately bolster the settler colonial project. With this intent, it develops the concept of ‘militarized atmosphere’ defined as a staged environment where war is positioned outside politics and critical scrutiny through a series of affective manoeuvres and aesthetics. A militarized atmosphere operates through military aesthetics to attune people’s bodies to a position of uncritical validation of a given discourse of war. This article argues that a militarized atmosphere crucially sustains the settler colonial project by removing or reducing contestation around the theme of war, which is a pillar of settler colonialism. In settler societies, numerous Indigenous individuals perceive themselves as embattled and seek acknowledgement of the history and legacy of colonial violence and warfare. In contrast, settler governments have a vested interest in concealing this history and its enduring legacy, and they do so by exalting military warfare as the foundation of the modern nation and creating affective attachments to the military. The article uses the case of Australia to elucidate the argument. It examines how the aesthetics of war commemoration at the Dawn Service, Australia’s major commemorative event, contributes to producing a militarized atmosphere that sustains the Australian settler colonial project. It proposes a framework that links the feminist concept of affective militarism to settler colonialism and contributes to the emerging literature on settler colonialism and militarism.

History Politics in Kosovo: Elites’ Memory and Victims’ Counter-Memory in Public Spaces of the De Facto State (Contradictions of Collective Memory and Memorial Culture)

The article examines the development of collective historical memory in Kosovo, a region with contested international political status. The study aims to analyze the memorial policies pursued by Kosovo’s regional political elites, which contribute to the consolidation of the region’s political identity. Additionally, the role and significance of history and perceptions of the past in the discourse shaped by the elites of modern Pristina are explored. Methodologically, the article draws on the interdisciplinary contributions of historiography, particularly the memorial turn, as well as studies that analyze nationalism as a factor in the evolution and transformation of memorial cultures. The novelty of the study lies in its examination of the current stage of historical policy development in Kosovo, a region that is striving for institutionalization and recognition as a nationstate. The article demonstrates that: 1) Kosovo's political elites actively leverage both the real and symbolic potential of collective memory, 2) the region’s historical policy and memorial culture are marked by a high degree of ideologization, and 3) nationalism plays a pivotal role in shaping the main vectors and trajectories of historical policy and memorial culture. The study suggests that the memory policies enacted by the elites tend to blend ethnic and civic Albanian nationalism, characterized by a high level of politicization and ideologization of history. This active use and instrumentalization of historical narratives in public and social spaces transforms collective memory into a tool for memorial confrontation and memory wars.

Contact zones, affects and noeuds de mémoire: Chinese laborers on the Western Front in Martine Laffon’s Souviens-toi de moi

This article argues that Souviens-toi de moi, a novel published in 2014 by French writer Martine Laffon, reclaims the memory of travailleurs chinois on the Western Front during the First World War, at the same time exposing the deliberate agenda of forgetting in both French and Chinese memory cultures. Referring to Mary Louise Pratt’s concept of contact zone and Leela Gandhi’s concept of affective cosmopolitanism, I show how the novel creates an inclusive ethics across race, gender and species, challenging the fixed hierarchies of Western modernity. Synchronously, by applying the multidirectional framework of noeuds de mémoire, the article demonstrates how Laffon constructs war remembrance at the conjunction of anti-militarism, anti-imperialism, feminism and the struggle for animal rights. The novel thus offers a vision of the First World War that radically departs from the French récit national and the Chinese instrumentalization of the laborers’ war memory.

Encountering Virtual Veterans: AI chatbots, martial ontologies, and memories of war

ABSTRACT With new technologies presenting ever more ways to encounter war, this article asks about one in particular: representations of veterans powered by artificial intelligence. Specifically, I focus on the Virtual Veterans chatbot – named Charlie – produced by Anzac Square, the state war memorial of Queensland, Australia. Shared on the social media platform X, this feature has garnered significant public attention. I argue that AI representations of this nature delimit the boundaries of war by discussing certain topics and not others. They possess a martial ontology that locates certain subjects and issues outside of ‘war’ and others within it. Further, they produce an epistemology of war that presents a state-sanctioned history as ‘first hand’, lending it significant authority and engendering vicarious militarism. In so doing, these chatbots reproduce existing ideas of nation, gender, racial identity and more.

Interpreting Collective and Individual War Memories in Borders in Anuk Arudprakasam’s The Passage North: Affective Memories in a Hot Spot Interpreting Collective and Individual War Memories in Borders in Anuk Arudprakasam’s The Passage North: Affective Memories in a Hot Spot

War memories are the patchwork of collective and individual memory, public and private remembrance and a recollection of current knowledge, and interpretation of the facts and events during and after the wars. The knowledge and interpretation of wars occur through the conscience, trauma, and injury which shapes the personal and public memory of an individual or an ethnic group. This paper deals with the effect of war memory in the post-Srilankan civil war state with the novel The Passage North by Anuk Arudprakasam. This novel narrates the oral testimonies, the ravages of the civil war and its effects on the survivors. The thoughts and personal memories of the protagonist, Krishan, concern how people live, yet become diminished in the aftermath of civil war, and the horrors Rani experienced during the Civil war reveal the memories, trauma and actions that have determined the scar in their lives as they cope up with displacement from borders and longingness for the lived land. This research paper employs the theoretical framework of Theodule Ribot’s affective memory and conceptualises it along with the collective and individual war memory of the survivor. The paper also moves towards the application of the theory of ethnic conflict in the borders where it does reveal the alien and dreadful memories and also transcends intermittently of reconnecting, of reimagining and of reconstituting the past as network or as archive or as present as Hoskins says (Hoskin, 05). This research attempts to probe the questions of civil war memory, and remembering and forgetting of violence and trauma in the mental borders.

Myth and the Memory of War in A. S. Byatt’s “The Thing in the Forest” and “The Pink Ribbon”

ABSTRACT This article examines the literary texts that may have informed A. S. Byatt’s imagination of a monstrous snake in “The Thing in the Forest” and the ghost of a mad woman in “The Pink Ribbon”. In the first of these stories, two wartime evacuees encounter a mythical dragon that is a hybrid of the Nidhøggr from Norse mythology, Satan from Paradise Lost, and the witch from “Hansel and Gretel”. Using intertextual studies, this article shows that the monstrous beast encountered in the first story in a forest represents the female protagonists’ vision of the war. The Virgilian note pervasive in the second story transforms a supernatural tale into a story concerning the imitation of art by life. The appearance of the mad woman’s ghost in this story signifies her wish to imitate Virgil’s Dido and end her life in which she is treated as a mere object.

The British Digital Press Archive as a source on the history of the collective memory of the First World War participants in the interwar period

Importance. The 110th anniversary of the First World War outbreak awakens in the public and scientific community not only discussions about the causes of the conflict, but also forces us to turn to the legacy of this process. In this regard, the work actualizes the theme of historical memory of the “Great War”. The purpose of the study is to reflect the complex of the legacy of the First World War in Great Britain in the 1930s by referring to the British Newspaper Archive.Materials and Methods. For the analysis of historical memory in the Great Britain, memoirs, monumental art, works of cinema, music, and many others are often involved. Methods of working with the British newspaper Archive are considered and, based on a specific historical method, we will reflect the perception of the First World War in British society and the situation of veterans in the 1930s. The method of quantitative content analysis is used. The necessary database of source material is selected by keywords, then the selected sources are grouped according to a certain topic. Memoirs, monumental art, works of cinema, music and much more are often used to analyze historical memory in Great Britain. In this work, we will look at the techniques of working with the British Newspaper Archive and, based on a specific historical method, reflect the perception of the First World War in British society and the situation of veterans in the 1930s. Due to the free access to a huge mass of English-language sources, this digital archive is of interest to researchers. The work uses the method of quantitative content analysis.Results and Discussion. During the study of press materials, it can be stated that the following agenda has been identified in the historical memory and legacy of the First World War in Great Britain in the 1930s: 1) the presence of narratives reflecting the pride of British society for the heroism of soldiers and sorrow for the many sacrifices they made in the name of victory in the war; 2) despite the discussions’ existence about the frontline brotherhood during the war period, after the war, veterans rallied into unions and organizations engaged in a wide variety of support (from mediation when applying for a job to appeals to the authorities about pension provision).Conclusion. Thus, despite the apparent immensity of the digital database of the British Newspaper Archive, the application of the well-known methodological principle of “Occam’s razor” makes it possible to compile a corpus of sources that meet the purpose of the study. Immersion in the press materials themselves allows the researcher to immerse himself more in the socio-cultural context of Great Britain in the 1930s. Due to the complexity of the information from the studied sources.

Wound: creativity, the military and a sculpture inspired by faces, minds, and landscapes scarred by the weapons of war

ABSTRACT In reference to Alice Cree’s observation that the words ‘creativity’ and ‘military’ do not seem to ‘fit together comfortably’, the first section of this autoethnographic article critically explores my personal experiences and motivations as an artist working in close proximity to military culture. This creative practice-military relationship is examined in a variety of contexts, including designing war memorials, exhibiting in military museums, and actively participating in military, commemorative rituals. The potential risks – being co-opted by military agendas – and benefits – having a platform to use my creative voice to express the consequences of martial violence – are discussed. Focusing on one of my artworks, Wound (2022), the second section demonstrates the capability of creative practice to interrogate consequences of military (and by implication, state) violence. Wound is a bronze sculpture cast from an original First World War British Brodie helmet and a German Mauser rifle cartridge. By means of moulding, casting, and modelling processes, I reconfigured the original sources of armour and ammunition as a narrative site to metaphorically explore the ‘wounding’ and ‘healing’ of landscapes and human faces and minds. Through the allegorical interpretation of this artwork and by recounting personal experiences related to its research and creation, I discuss my creative practice as a memory artist and explain my motivations for making artworks that explore human violence and warfare. The article surveys other examples of visual art and human violence in war from classical antiquity to the present, with particular emphasis on the First World War.

Tracing Memory, Trauma, and Childhood: The Bangladesh Liberation War in Sorayya Khan’s Noor

This article addresses the representation of childhood memory and trauma in Sorayya Khan’s novel Noor (2003) against the backdrop of the 1971 Bangladesh Liberation War. It discusses how personal recollections of public events contribute to the collective memory of the nation-state. The exploration includes the intergenerational transmission of trauma, employing Marianne Hirsch’s concept of ‘Postmemory,’ which describes how traumatic experiences are passed down, particularly in the context of the Holocaust. This framework has been contextualized within the 1971 Bangladesh Liberation War and its aftermath on children, carrying the memories of war trauma forward, as illustrated in the novel through Noor and Sajida’s experiences. Through a close reading of the novel, this article aims to extricate the underlying patterns of childhood war memory and personal experiences that often get subsided in historical representations and emphasizes the pertinence of reading a representational narrative of the 1971 Bangladesh Liberation War even after half a century.

Memory Wars and Emotional Politics: “Feel Good” Holocaust Appropriation in Central Europe

Abstract This article analyzes the patriotic turn in Holocaust memory politics, exploring the processes through which the narrative of a morally upright national majority has been pitted against transnational entities such as the European Union. The EU is considered to foster multiculturalism, leading to interpretations of what some perceive as national guilt. The article investigates invocations of shame and pride in Czechia and Slovakia, two countries that are often overlooked in works on Holocaust memory politics yet are symptomatic of larger changes in the region and history appropriation in general. Building on research into emotional communities, it traces how and why political actors across the ideological spectrum have adopted notions of pride to mobilize domestic audiences against “accusations” of local guilt and complicity in the Nazi genocides of Jews and Roma. By doing so, our article demonstrates how Holocaust memory has become entangled with Europeanization and highlights the role of emotions in shaping national identity and belonging.

The Crimean War and Cultural Memory: The War France Won and Forgot

The Crimean War and Cultural Memory: The War France Won and Forgot

PDOC-13 ACCESS TO CARE OF CHILD DIAGNOSED WITH PINEOBLASTOMA AND NURSING CHALLENGES TO ADDRESS THE NEEDS ARISE

Abstract Patient Alu (not her real name) was 8 years old girl when diagnosed with Pineoblastoma causing obstructive hydrocephalus. Presented initial at Primary health care with headache,photophobia,lethargic and vomiting for two weeks. CT scan and MRI(Magnetic resonance imaging) were done on arrival to our care and revealed Pineal region tumour. Biopsy were done. Radiotherapy,surgery,chemotherapy including rehabilitation were planned by Multidisciplinary team. This case study focus on the access of care needs of this patient and the family with an emphasis on the Nurses challenges to address those needs. Medical records were retrospectively reviewed for this Patient from June 2021 on the onset of presenting symptoms and initial admission in Redcross War Memorial Children’s Hospital at Cape Town South Africa up to March 2024 last admission in Hospital. Found that were levels of unmet needs some areas of difficulty are not discussed, some areas family feels difficult to explain or mention such as emotional burnout, language, cultural, spritual and schooling etc. In view of all this Nurses may focus on supporting families on discharge and during admission, working better relationship with Primary health care, appropriate referrals for counseling for coping mechanism. Financial constrains is still a major issue throughout.

The Silent Unseen and Underground Soldiers: Polish–Ukrainian Conflicts and Collaboration in Amanda McCrina’s Second World War Fiction

The memory of the Second World War remains a bone of contention between Poland and Ukraine. The countries’ mnemonic discourses differ significantly, especially regarding the legacy of the Ukrainian Insurgent Army. Most local children’s and young adult authors avoid discussing historical nuances and offer their readers simple narratives about victims and oppressors. Thus, it is remarkable that in the last few years descriptions of the difficult Polish–Ukrainian relations have appeared in fiction written by Anglophone authors. This article considers the representations of the complex Ukrainian–Polish/Polish–Ukrainian dynamics in Amanda McCrina’s Traitor (2020) and The Silent Unseen (2022), two young adult novels set in Second World War eastern Poland/western Ukraine. McCrina, an American of Polish descent, introduces teenage protagonists with liminal identities and agency limited by their historical circumstances. This article underscores the importance of McCrina’s literary techniques – especially her use of alternation of perspectives – that highlight the complexity of history and challenge the discourse of morality typical of young adult historical fiction. Moreover, it argues that the minor simplifications introduced by McCrina are necessary for Anglophone young readers to grasp the entanglements of the history of what Timothy Snyder termed the ‘Bloodlands’. Thus, her approach to addressing multifaceted and problematic topics exceeds morality plots based on the victim–oppressor binary.

‘If I were at peace, I wouldn’t be here’: Staging incarceration’s transgenerational, transnational ghosts and memory in Jay Kuo’s Allegiance

While a majority of the Second World War-based musicals tend to glorify America’s heroism and downplay or ignore its injustices, Jay Kuo’s (2015) musical Allegiance centres on the unlawful incarceration of over one hundred and twenty thousand Japanese American civilians held in American concentration camps during the war, which is a history that many Americans continue not to be aware of. Through foregrounding Jessica Nakamura’s framework of response-ability, this article considers the ways Allegiance activates it, through the use of spectral embodiment as a means to engage ghosts of Japanese diasporic war memory, especially as it relates to the portrayal of the historical figure Mike Masaoka and a staging of the Hiroshima bombing. Allegiance’s staging of ghosts is similarly interrogated within a musical where unsettled personal trauma conjures ghosts of the past that must be settled by characters like the protagonist, Sammy Kimura, who enters a dialogic relationship with them. Through analysing press materials, onstage performances, interviews and documentary content, this article highlights how transnational connections and transgenerational response-ability are staged to help cope with and remember Japanese and Japanese American experiences. It similarly discusses how the musical form aided and inhibited the show’s meaning to and resonance with audiences throughout Allegiance’s production history. Through settling and unsettling the dead, this article considers how Allegiance enshrines personal, communal and national memories about wartime incarceration into a piece of art that serves educational and reparative purposes for the production companies and audiences who experienced the show on and off-Broadway.

Environmental contamination with carbapenem resistant Acinetobacter baumannii in healthcare settings in Fiji: a potential source of infection.

There are multiple ongoing outbreaks of carbapenem resistant Acinetobacter baumannii (CRAb) infection in Fiji's hospitals. CRAb is able to colonize and persist on various hospital surfaces for extended periods. We conducted a study to understand the extent of hospital environmental contamination and phylogenetic links with clinical isolates. Swabs were collected from high-touch surfaces at Colonial War Memorial Hospital (CWMH) September 2021 and December 2022; Lautoka Hospital (LTKH) August 2022; and Labasa Hospital (LBSH) November 2022. All bacterial isolates were identified, and antimicrobial susceptibility testing (AST) performed; isolates resistant to carbapenems and producing a carbapenemase underwent whole genome sequencing. Comparison was made to clinical isolates obtained from CWMH in 2016-2017 and 2019-2021 and from LTKH and LBSH from 2020-2021. From the 180 environmental samples collected, ten (5.6%) CRAb were isolated; no other carbapenem-resistant gram-negative organisms were isolated. Seven (70%) of the CRAb were isolated from CWMH and three (30%) from LTKH; no CRAb were isolated from LBSH. Of the seven CWMH CRAb, two were sequence type 2 (ST2), three ST25, and two ST499. All LTKH isolates were ST499. The two environmental CRAb ST2 isolates were closely genetically linked to isolates obtained from patients in CWMH, LTKH, and LBSH 2020-2021. Similarly, the three environmental CRAb ST25 isolates were closely genetically linked to isolates obtained from patients admitted to CWMH in 2019-2021 and LBSH in 2020. The environmental CRAb ST499 isolates represented two distinct clones, with clone 1 comprising two genetically identical isolates from CWMH and clone 2 the three isolates from LTKH. Although no genetic linkages were observed when comparing environmental ST499 isolates to those from CWMH patients in 2020-2021, both clone 1 isolates were genetically identical to an isolate obtained from a patient admitted during the sampling period. Our study highlights the contamination of high-touch surfaces within Fiji hospitals with CRAb, suggesting that these may serve as important sources for CRAb. Phylogenetic linkages to CRAb isolated from patients since 2019 underscores the persistence of this resistant pathogen in hospital settings and the ongoing risk for hospital-acquired infections.

Exchanging “Mementos of Death”: Holocaust Remains in Poland and Japan

Abstract In 1962, a Japanese delegation of peace activists visited Auschwitz-Birkenau where they participated in the annual ceremony commemorating the liberation of the camp. As part of the ceremony, the delegation engaged in an exchange of Hiroshima and Auschwitz “memontos,” receiving from the Polish side, amongst others, an urn containing ashes of the victims of the camp. The exchange was the first of several that included Holocaust urns, most of which are now in Japan, and a part of a much broader phenomenon of material dispersal of human remains instituted by Polish museums established at the former Nazi camps. In this paper, we take a critical look at this practice, its development, directionalities and meanings. Tracing the journey of the urns and their various uses, we argue, reveals the complex politics and cultural landscape of the transnational commemoration of World War II in its very local meanings in Poland, Japan and beyond.