Visual Symbols Research Articles

Moderating Effects of Visual Order in Graphical Symbol Complexity: The Practical Implications for Design

In the field of visual graphic design, complexity plays a crucial role in visual information processing, and it is assumed to be an absolute quantity based on the number of the presenting features and components. However, it remains unclear whether the visual order of the constituent elements in graphical symbol complexity affects cognitive processing, especially memory processing. Our research innovatively generated four groups of novel, meaningless graphical symbols (complex and ordered, complex and disordered, simple and ordered, and simple and disordered) and experimentally manipulated the level of complexity and order in these stimuli. Before the formal experiment, a five-point scale was used to further rule out differences between objective and subjective definitions of these graphical symbols on ratings of complexity, order, concreteness, and familiarity. Then, we used a cue-recall task to compare subjects’ memory performance of those four graphical symbol groups. The analytical results showed a significant interaction between visual order and graphical symbol complexity, with the complexity effect appearing only when the stimuli were in disordered condition and disappearing once the stimuli were ordered. In addition, this study conducted a practical application validation to confirm that increasing the level of visual order is an effective way to improve user experience while maintaining the same level of complexity. The findings can serve as a reference for graphical symbol design, graphic design, and visual communication design.

Exploring the Impact of Emojis on Paralanguage in Social Media Communication among University Students

This research investigated the evolving role of emojis in shaping paralanguage within social media communication, with a particular focus on how these visual symbols enhance linguistic and emotional expression. The study examined the nuanced ways in which emojis contribute to the overall tone, context, and meaning in written discourse, while also considering cultural and contextual variations in emoji usage among individuals from diverse linguistic backgrounds. Conducted with a sample of 55 Year-3 Bachelor of Education students at a university in Fiji, where English is a second language, the research employed a mixed methods approach to analyze data on the usage and perception of emojis in social media communication. This paper argues that emojis play a crucial role in conveying emotions, fostering engagement, and adding personality to messages, thereby augmenting textual communication with emotional nuance and clarity, leading to more empathetic and meaningful online interactions. The findings indicate that emojis are widely used across various communication channels, including text messages, comments, and direct messages, reflecting their versatility and widespread adoption. Respondents overwhelmingly perceive emojis as positive tools that enhance the effectiveness of digital communication by conveying emotions, fostering engagement, and adding personality to messages. The study also highlights the significant role emojis play in nonverbal communication, particularly in expressing emotions that may be difficult to articulate through text alone. By providing emotional nuance, clarity, and depth, emojis contribute to more empathetic and meaningful interactions in online spaces. Overall, this research provides valuable insights into the dynamic interplay between emojis and paralanguage in contemporary digital communication, signifying the importance of these symbols in enriching text-based exchanges and fostering more engaging and emotionally resonant social media interactions.

Constructing Global Identity Through Creative Linguistic and Artistic Branding of African Countries’ Monikers

This qualitative study investigated into the complex dynamics of African nation monikers and their profound implications for national identity and international branding. The purpose of the research was to examine the interplay between linguistic inventiveness and artistic representation in 54 African nations, exploring how these components contributed to shaping global perceptions. Adopting a content analysis approach, the study systematically investigated linguistic nuances and artistic depictions associated with each nation's moniker. The population comprised the 54 diverse African nations, ensuring a purposive and representative sampling approach that considered linguistic, cultural, and geographical variations. Data was sourced from official documents, historical records, and public discourse surrounding each nation's moniker, with a focus on linguistic analysis from official statements, literature, and media representations. Artistic representations were examined through visual sources such as national emblems, flags, and associated symbols. The findings revealed a complex tapestry of linguistic features firmly anchored in cultural and historical contexts. Artistic depictions, including visual metaphors and symbols, contributed significantly to each nation's unique character. Notable examples included Nigeria's "The Giant of Africa" and South Africa's "The Rainbow Nation." Recommendations emphasized the strategic use of linguistic and artistic components to enhance international image, recognizing their critical role in shaping global perceptions of African nations. The study also acknowledged its limitations and proposed directions for future research, offering valuable insights into the nuanced dynamics of language and creative expression in constructing national identity on the global stage.

Strategy Texts as Auto-Communication: How Narrative, Language, and Visual Symbolism Exercise Discursive Control

ABSTRACT Strategy texts are an important way of communicating a strategy to a range of different stakeholders, including internal audiences as the organization communicates with itself (auto-communication). In this article, we analyze two related strategy texts that were produced for auto-communicative purposes as part of a strategic change initiative in a UK organization that employed a storytelling approach to strategic communication. Our multimodal analysis shows how narrative, visual symbolism and directive lexical choices and grammatical forms used in the two strategy texts exercise discursive control using three main mechanisms: (1) encouraging action through future-focused narrative structure; (2) strengthening emotional attachment with the organization through purposeful selection of anecdotes from a shared stock of stories; and (3) defining desired actions and behaviours through visual symbolism and directive lexical choices and grammatical forms. Moreover, the article contributes to current debates of the nature of strategic communication by demonstrating the tension between linear and dialogic communication in practice, while also providing rare empirical insights on the use of auto-communication in contemporary strategic communication.

Analysis Semiotic of the Movie Siksa Neraka By Anggy Umbara (Semiotic Analysis of Charles Sanders Pierce)

ABSTRACT The film can be used in preaching. This research aims to analyze the preaching messages in the movie "Siksa Neraka" by Anggy Umbara using Charles Sanders Peirce's semiotic approach. The research method used is qualitative. Data were analyzed through three main components: sign, object, and interpretant. The analysis results show that the film "Siksa Neraka" conveys various important preaching messages through visual symbolism and dialogue between characters. Some identified preaching messages include prohibitions against speaking harshly to parents, delaying prayers, inviting and committing sinful acts, committing adultery, cheating, gambling, slandering, and committing suicide. This film effectively conveys preaching values through the use of meaningful signs that can influence viewers to reflect on and improve their behavior. This research reveals how the film conveys moral messages and emphasizes the importance of visual media in educating and spreading religious values. Keywords: Dakwah, Movie, Punishment, Hell

DESIGNING VISUAL SYMBOLS IN DIGITAL CULTURE

Designing visual symbols is crucial in the ever-changing world of digital culture for communication, identity building, and cultural expression. With an eye toward the aesthetic, functional, and semiotic aspects, this article delves into the methods and principles of making effective visual symbols in digital settings. The study delves into a wide array of digital symbols, including emojis, logos, icons for user interfaces, and digital art, to uncover how these visual components communicate meaning, impact user behavior, and aid in forming online identities and communities. Recognizing digital spaces' multicultural and global character, the research highlights the significance of cultural sensitivity and contextual knowledge throughout the design phase. Additionally, it delves into how technological innovations, including augmented reality and vector graphics, have influenced the development of visual symbols. The adaptability of symbols in response to user interactions and cultural trends may be shown in case studies from various digital platforms and social media networks. The results stress the importance of designers balancing originality and clarity in creating visually appealing and universally understandable symbols. At the end of the paper, we suggest ways to make symbols that may change with digital culture and appeal to different audiences by using iterative design processes and user feedback.

DESAIN BALIHO KAMPANYE MAHYELDI - AUDY DI PILGUB SUMBAR 2020 SEKARANG

This study analyzes the design of Mahyeldi - Audy's campaign billboard in the 2020 West Sumatra Gubernatorial Election using a qualitative approach with a literature study method. The analysis focuses on visual elements, typography, symbolism, and visual narratives used in the billboard design. The results show that the billboard design successfully combines traditional Minangkabau elements with a vision of modernity, creating a strong visual narrative about leadership rooted in local values yet oriented towards progress. The use of color, typography, and local symbolism demonstrates a deep understanding of the socio-cultural context of West Sumatra. The design's effectiveness lies in its ability to convey complex campaign messages through an easily digestible visual medium while building an emotional connection with voters. However, this design also raises critical questions about gender representation, identity politicization, and the ethics of visual political communication. This study contributes to the understanding of the role of visual communication in shaping political discourse and influencing voter behavior in an increasingly mature era of local democracy.

Design of visual symbol-aided system based on wireless network sensor and embedded system

Abstract In order to solve the problem of the low transmission rate of wireless network sensors (WNSs), this article proposes a WNS visual assistance system based on embedded systems. The system uses WNSs instead of traditional wired sensors, which can achieve synchronous transmission of multi-node data, enabling nodes to work together better, thereby improving the real-time and reliability of the entire system. This article conducts in-depth research on feature extraction algorithms and tests the visual assistance system in the experimental section. The results show that the recognition rate and stability of the visual symbol assistance system implemented using WNSs are higher than those of ordinary systems. In the satisfaction survey, it was found that 87 people were very satisfied with the visual symbol assistance system, accounting for 87%, while only 57 people were very satisfied with the traditional visual symbol assistance system, accounting for 57%. The experimental results show that the system output stability of the design method is good, and the response time and reliability are better.

Theory Research on Visual Communication Design of Urban Public Space under the Concept of Social Design

Through observation and analysis of modern urban public spaces, we can find that design is not only a combination of appearance and functionality, but also a profound understanding and response to society, culture, and the environment. The social design concept emphasizes the principle of people-oriented design, pursuing the inclusiveness, interactivity, and sustainability of public spaces, and shaping the identity and shared experience of urban spaces through visual language and symbol systems. This article will explore how to implement the concept of social design in visual communication design, and explore its impact on the quality of life, social cohesion, and urban image of urban residents. The ultimate goal is to provide practical guidance and inspiration for urban planners, designers, and decision-makers, promoting sustainable development of public spaces and social harmony.

Ideologi dan Propaganda dalam Memperkuat Perlawanan di Revolusi Amerika

The American Revolution was a seminal moment in history defined not only by military action but also by the effective use of ideology and propaganda. This research explores the role of Enlightenment ideology and propaganda in strengthening resistance to British colonial rule. Ideas about human rights and government based on the consent of the governed became the philosophical basis for the revolutionary struggle, while propaganda through pamphlets, newspapers, speeches, and visual symbols spread these messages to the wider public. By utilizing effective propaganda, revolutionary leaders succeeded in mobilizing domestic support and attracting international aid, particularly from France. Visual propaganda, such as illustrations of the Boston Massacre and passionate public speeches, played an important role in building solidarity and motivation among the colonists. The findings show that ideology and propaganda are powerful tools in shaping public opinion and mobilizing the masses for revolutionary goals. The American Revolution illustrates how major historical changes often begin with shifts in thought and communication.

Emotion Semantics Construction in Industrial Product Application

The theory of emotion semantics constitution put forward in this study aims to explore on how to convey emotions in product design. First, the development of emotion expression methods is reviewed, to point out the trend from physiological aspect to psychological activities and bring up a double-layer research framework composed of expression communication and sensory reception. The study has made a profound discussion on how to convey emotions in product design with sensory elements such as vision, hearing and touch, and to rouse the users’ emotional resonance with multiple elements in product design. On theoretical level, this study has discussed how to construct visual symbols and apply concepts such as “emotional bionics” and product semantics, so as to optimize the function of sensory elements in regulating emotions by combining morphological aesthetics and semantic representations. In terms of practice, this study puts forward the visual modelling construction theory for “allomorphic” product, corresponds visual symbols such as product modelling, color design and material with emotional conveyance semantics, and highlights the users’ unique emotional experience facilitated by art and sensory experience, so that the viewers can be greatly impressed by the product. The study also emphasizes the key role of design in promoting emotional resonance and sensory experience, and brings forward a series of design methods and technological innovation including emotion analysis, multimedia interaction, multi-element integration, introduction of cultural symbols and the incorporation of knowledge of applied psychology and physiology, aiming at enhancing positive interaction in the users’ emotion and psychology via a full range of sensory stimulation.

A Study of the Body Narrative in the Film Portrait de la Jeune Fille en Feu from a Feminist Perspective

This article analyses the body narrative in the film Portrait de la Jeune Fille en Feu from a feminist perspective, exploring the gendered power structures implicit in the female characters' bodily expressions and discussing how it constructs and reflects feminist theories. The article reviews the development of feminist theory, emphasises the importance of body narrative theory and its application in film studies, and chooses the film Portrait de la Jeune Fille en Feu as the object of study. Through textual analysis and feminist critical theory, this study dissects the body narratives of the female characters to reveal how visual language and symbols shape the body's position in gendered power relations. It is found that the female body narratives in the film are not only an expression of subjectivity, but also a response to social power structures, demonstrating the deep connection between gender, power and self-identity.

INTEGRATING TRADITIONAL CHINESE CLOUD PATTERNS INTO MODERN INTERIOR DESIGN: A VISUAL SYMBOLISM STUDY

Cloud pattern is a typical representative of traditional Chinese patterns, which contains rich cultural connotation and aesthetic value and is widely used in modern interior design. This paper aims to explore the specific application of cloud pattern in modern interior design and its cultural and aesthetic value as a visual symbol. By analysing the history, cultural background and artistic characteristics of cloud patterns, the paper examines the decorative function, semiotic significance, emotional value and global application of cloud patterns in modern design. It is emphasised that cloud pattern not only retains the essence of traditional culture in modern design, but also satisfies modern people's aesthetic needs and emotional experience through innovative application, and demonstrates its cross-cultural communication power globally. This paper provides modern designers with inspirations and methods for integrating traditional cultural elements, and promotes the inheritance and innovation of traditional culture.

The Representation of Sexuality in the Film Dua Garis Biru (A Cinematic Narrative and Media Aesthetic Analysis)

Film is a cinematographic work that not only presents captivating audiovisual elements but also serves as a medium for artistic and cultural expression, often addressing important issues. Dua Garis Biru is a film that boldly tackles social issues still considered taboo in Indonesia, such as early marriage and sexual education. This research aims to analyze the representation of these issues through the character Dara, using a semiotic approach. The focus is on how audiovisual elements—narrative, visuals, and sound—contribute to conveying messages about sexuality and sexual education within the social and cultural context of Indonesia. The research method employed is qualitative, involving an in-depth analysis of cinematic narrative and media aesthetics. The findings explore how Dua Garis Biru portrays issues of sexuality outside the context of marriage through dialogue, visual symbols, and the use of sound elements that strengthen characterization and atmosphere, providing deeper insight into the themes presented in the film.

Social Media Users’ Visual and Emotional Preferences of Internet-Famous Sites in Urban Riverfront Public Spaces: A Case Study in Changsha, China

With the increasing online exposure of urban public spaces, the new concept of “internet-famous sites” has emerged in China. Social media users are the main contributors to this new phenomenon. To fully understand social media users’ preferences in such kinds of public spaces, this article took 27 typical riverfront internet-famous sites (RIFSs) in Changsha City (China) as an example. Through social media platform selection, keyword research, text and image data extraction, visual and emotional symbol coding, and manual calculations of coding frequency, this study investigated social media users’ perception of RIFSs, especially on visual and emotional preferences. The online images and review comments were extracted from the popular Chinese social media platform “Xiaohongshu”. We found that (1) the popularity of each RIFS had a significant head effect and there were far more positive emotions than neutral and negative emotions in review comments. (2) RIFSs in Changsha were divided into five categories: commercial RIFSs, art exhibition RIFSs, historical and cultural RIFSs, ecological recreational RIFSs, and uncultivated RIFSs. Social media users had different visual focuses on each kind of RIFS. (3) Social media users provided specific reasons for their emotional preferences towards different types of RIFSs. This study can provide a new perspective on improving waterfront vitality and offer a targeted and attractive method for waterfront regeneration that is different from traditional methods.

The Rhetorical Construction of Introductory Viewing in The Cinematic Film

Research studies address many aspects of the rhetorical construction of opening scenes in cinematic films, and among these studies it is possible to understand the rhetorical construction of opening scenes. The film is distinguished by its exciting and complex opening scenes that use many rhetorical methods to attract the attention of viewers and deliver the intended message. Here are some points that can be part of the rhetorical structure of introductory scenes. Use of image and sound: Image and sound are used innovatively in introductory scenes in the film to powerfully convey thoughts and feelings. Innovative filming techniques and appropriate sound effects are used to create an exciting and interesting cinematic experience. Tension and suspense: The opening scenes in the film are scenes full of tension and suspense. Many visual and audio elements are used to create an atmosphere of tension and suspense, such as exciting music and dynamic cinematography. Cinematic composition: Cinematic composition is used elaborately in the opening scenes of the film to convey the story and events smoothly and coherently. Editing and transition techniques are used expertly to create a cohesive narrative flow. Symbolism and Visual Symbols: Symbolism and visual symbols are distinctively used in the opening scenes of the film to convey deep messages and hidden meanings. Colors and visual symbols are used to give the viewer character and reinforce the message.

Unveiling ‘HEREDIAQUA’: An Exploration of Association Picture Storytelling in Documentary Filmmaking

This study explores the application of the “association picture story” genre in documentary filmmaking, particularly focusing on the film “Herediaqua,” to effectively communicate water sustainability issues. The research employs a three-stage methodology: exploration (field research, observation, interviews, and collection of visual materials), experimentation (applying association picture story techniques in short film formats and testing with audiences), and creation (synthesizing findings to produce a cohesive and impactful film).Results indicate that “Herediaqua” successfully uses strong visual symbolism and narrative to convey messages about the interconnectedness between humans and nature, effectively enhancing audience awareness and understanding of water sustainability issues. The film employs powerful visual language to communicate its environmental message, evoking emotional responses from viewers. Positive audience feedback confirms the film’s success in communicating its message, demonstrating the effectiveness of the association picture story technique in visual narration. The conclusion asserts that the “association picture story” technique is a powerful tool for conveying environmental messages through visual storytelling. “Herediaqua” serves not only as a viewing experience but also as an educational medium and a catalyst for inspiring environmental conservation efforts. By leveraging compelling visual narration and engaging storytelling, the film promotes awareness and encourages concrete actions for sustaining the planet’s life. This research contributes to advancing documentary filmmaking by highlighting the effectiveness of combining visual symbolism with strong narrative techniques.

The Role of Letter-Speech Sound Integration in Native and Second Language Reading: A Study in Native Japanese Readers Learning English.

The automatic activation of letter-speech sound (L-SS) associations is a vital step in typical reading acquisition. However, the contribution of L-SS integration during nonalphabetic native and alphabetic second language (L2) reading remains unclear. This study explored whether L-SS integration plays a similar role in a nonalphabetic language as in alphabetic languages and its contribution to L2 reading among native Japanese-speaking adults with varying English proficiency. A priming paradigm in Japanese and English was performed by presenting visual letters or symbols, followed by auditory sounds. We compared behavioral and event-related responses elicited by congruent letter-sound pairs, incongruent pairs, and baseline condition (symbol-sound pairs). The behavioral experiment revealed shorter RTs in the congruent condition for Japanese and English tasks, suggesting a facilitation effect of congruency. The ERP experiment results showed an increased early N1 response to Japanese congruent pairs compared to corresponding incongruent stimuli at the left frontotemporal electrodes. Interestingly, advanced English learners exhibited greater activities in bilateral but predominantly right-lateralized frontotemporal regions for the congruent condition within the N1 time window. Moreover, the enhancement of P2 response to congruent pairs was observed in intermediate English learners. These findings indicate that, despite deviations from native language processing, advanced speakers may successfully integrate letters and sounds during English reading, whereas intermediate learners may encounter difficulty in achieving L-SS integration when reading L2. Furthermore, our results suggest that L2 proficiency may affect the level of automaticity in L-SS integration, with the right P2 congruency effect playing a compensatory role for intermediate learners.

#Headlesspreggos: challenging visual imaginaries of pregnancy and reproduction

Amid new abortion restrictions in the USA, scientific advances in genetic technologies and investigations of COVID-19 vaccinations in pregnancy, news stories about reproduction abound, often accompanied by images of what...

Application of Artificial Intelligence Technologies in Visual Communication Design

In recent years, the artificial intelligence technologies have developed rapidly, gradually infiltrated various fields, empowered all walks of life, and promoted the transformation and upgrading of technologies in various fields. Among them, the field of visual communication design, which mainly transmits visual symbol information, is developing in a more intelligent and diversified direction with the support of artificial intelligence technologies. This paper mainly discusses the application status and practical impact of artificial intelligence technologies in the field of visual communication design, so as to help people better understand and grasp the relationship and development between the two, promote the full and in-depth integration of the two, and improve the innovation and optimization development of visual communication design, which can bring people more beautiful design works.