AbstractThe sport of Ultra-running has seen exponential growth over the past ten years. These athletes attempt to push beyond unknown human limits by running for many hours at a time, often multiple times a week across mountains and trails. While research has begun to consider how injury impacts these athletes from an objective medical perspective, much less is known about their subjective embodied experiences. In particular, the discourses they resist and submit to when they are suddenly unable to run. This study describes the use of body-mapping and narrative interviewing as two forms of research inquiry merged together to explore the embodied experiences of eight ultra-runners who had recently experienced an injury. Plot lines were woven through the visual and textual material resulting in three master plots and eight sub plots. Stories of Body Self-transformation, Machina Carnis or the body-as-machine and senescence or the ageing body were layered by emplacing images and text onto life sized body maps creating vibrant art works. These art works were analysed alongside detailed narratives of endurance, strength, determination and loss. Through the art works participants were able to make visible the invisible, with the injury experience providing a window into former ways of being and current experiences of liminality and fear. This study provides insight into the shifting subjectivities of these extreme athletes brought about by pain and injury, and highlights the importance of using power leveling and emancipatory arts based research methods in accessing subjective experience.