This period has witnessed an increasing increase in the speed of means of communication, methods, and rules of design, so the transition from the search for workmanship to creativity as well as employing many other sciences, a technological development that occurred in the field of visual arts, especially graphic design, such as the emergence of computers and programs (the digital medium) and entering a field Graphic design, with its capabilities to develop the aesthetic and creative side, including these technical programs and the designer’s impressive capabilities. The image occupied a large part of human history, starting with cave drawings and pictorial languages. The image is an important part of the creative worlds, and the novel as part of literary creativity has its pictures, colors are wavy, so the writer draws his image in his narration by showing part of it, to allow the imagination to complete the other part. Therefore, literature and graphic design technology are two closely related worlds that depend on the image and make them the backbone. The writer has his image, the designer has his image, and each of these pictures has points of encounter and points of difference. Therefore, designers resort to Visual Rhetoric shapes as a medium of expression with the aim of increasing the effectiveness of the process of mutual meaning, adding implicit values to the visual image, and enhancing the communication process. So The study deals with the use of digital technology in the production of a graphic vision of the novel "maktub" for the international writer Paulo Coelho, in an attempt to display the novel in a modern graphic graphical way, by analyzing the novel and drawing it with a philosophical vision to integrate Arab history, novel, and art with technology, by integrating digital art techniques with Traditional Arabic graphic arts techniques with their visual elements. It monitors the relationship between graphic design technology and its new technical techniques to reveal the ability of Graphic Design and Visual Rhetoric to comprehend literary works. To form a step in the approach between graphic design and novel art, making use of theories of formation, design, gestalt, and their tools that coordinate the scene and its paintings so that the visual vision arises with its implications.
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