Abstract
This research delves into the artistic structures and semiotic connotations of place in the poetry of Ashjan Hindi. In her poetry, place is not merely a tangible geographical patch, but rather it is rich with symbolic meanings and connotations that reflect the poet's philosophical vision of her surroundings. Therefore, it became necessary to explore the semiotic perspectives of place through analysis and interpretation. The research adopted a semiotic approach to investigate the artistic structures of place in Ashjan Hindi's poetry, drawing on the foundational concepts of the metaphorical discourse according to Paul Ricoeur in his book "The Vivid Metaphor," which is rooted in the linguistic theory formulated by Emile Benveniste. The research relies on exploring the semiotics of place in the Collection of Poems, drawing on the procedural concepts of imagination as articulated by the researcher Jilbert Durand in his book "The Anthropological Structures of the Imaginary." It is based on the foundational concepts of this theory, especially the terms of patterns, original models, and symbols, in analyzing the connotations of places in the Collection of Poems.
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