The temporality issue within contemporary theory and practice is held under one persistent convention: time is a matter of dynamic species of art, such as theatre, cinema, and music. However, contemporary theoretical discourses in the expanded field of art-theory reveal a fundamentally different view on temporality’s function in a piece of art. In virtue of art's conceptual dematerialisation and the theoretical context of nonlinearity of time, the temporality, as a kind of correlation with time durality, may be concerned as feature for any piece of art – not excluding those which are expressed in static forms. We assume that temporality is not only conditional in case of art pieces expressed in static forms, but also functional as the matter and an potential instrument which can be used to create an expanded concept. In current article we take this hypothesis as a starting point to explore the way for temporality to be considerated as a constructive component of an artistic utterance expressed in a static form of art. It's necessary to notice that the current article contains only an outline of subsequent research, which still demands to be elaborated.