Virtual Reality Art Research Articles

Understanding the Future Posthumanities: An Analytical Study of William Gibson’s Spook Country

William Gibson, who introduced the term ‘cyberpunk’ is a distinguished American Canadian science fiction writer. Gibson’s Spook Country, published in 2007, is a popular science fiction political thriller. With three interesting and intersecting plots, the novel is set against the background of the post-September 11, 2001 incident. Gibson portrays a future society that is beyond human capabilities using philosophical and imaginative posthumanist concepts such as Post-Humanism, Post-Anthropocentrism, and Post-Dualism intertwined with science fiction themes like interactive media, cyberspace, locative art, espionage and the art of virtual reality. This article analyzes the novel Spook Country based on Synthetic Theoretical Posthumanism, a typology framed by Matthew E. Gladden. The Posthuman theorists use philosophy and science fiction as a resource to re-examine the notion of “human” in a future techno cultural context. In addition, this study uses the theoretical framework of Francesca Ferrando, Rosi Braidotti, and other posthumanist theorists to substantiate how the novel represents future posthumanities.

The Game-Like Experience of Virtual Reality Art: Sensational Players and Critical Audiences

This article delves into why audiences perceive virtual reality (VR) art as a game-like experience and how it impacts audiences’ reception of culture by examining two VR art pieces and their respective audience responses in focus group discussions. Through qualitative analysis, two factors are identified: the cognitive association of VR with gaming due to audiences’ preconceptions about VR, and the immersive environment of VR creating the “magic circle” that fosters the sense of play. The study argues that the intersection of VR and art generates the affordance allowing audiences to “play” with culture. However, the “not-serious” feature of play in VR may work against the norms and mores of a specific culture in the real world, especially when it relates to religious or ethnic culture. This article sheds light on the implications of the game-like experience in VR for creating VR applications beyond gaming, particularly in art and cultural heritage.

Immersive Multimedia Art Design Based on Deep Learning Intelligent Vr Technology

Virtual Reality (VR) based art design offers a revolutionary platform for artists to explore new dimensions of creativity and expression. By immersing users in virtual environments, VR art transcends traditional limitations, enabling the creation of immersive and interactive experiences that defy conventional boundaries. Artists harness VR technology to sculpt three-dimensional forms, paint in volumetric space, and manipulate light and sound in ways previously unimaginable. Moreover, VR facilitates collaboration and audience engagement, allowing viewers to interact with and even become part of the artwork. From virtual exhibitions to immersive installations, VR art opens up endless possibilities for artistic innovation and audience participation. This paper introduces an innovative approach to immersive multimedia art design, leveraging deep learning intelligent Virtual Reality (VR) technology alongside Centralized Data Transmission Classification (CDTC) with the integration of IoT multimedia sensor data. By combining these advanced technologies, artists can create captivating and dynamic multimedia experiences that engage multiple senses and transcend traditional artistic boundaries. Deep learning algorithms analyze and interpret vast amounts of sensory data collected from IoT multimedia sensors, enabling the generation of immersive VR environments that respond intelligently to user interactions. CDTC facilitates efficient data transmission and classification, optimizing the integration of real-time sensor data into the VR experience. Through a series of experiments and simulations, the efficacy of the proposed framework is demonstrated, showcasing its ability to create immersive art installations that dynamically adapt to user input and environmental stimuli. in a simulated VR environment, deep learning algorithms processed IoT sensor data in real-time, resulting in an average classification accuracy of 92% for environmental stimuli recognition. Additionally, CDTC facilitated efficient data transmission, reducing latency by 30% compared to traditional methods.

Application and Challenges of Virtual Reality (VR) in Art Exhibition Planning

Abstract The combination of VR technology and art exhibition promotes a new form of art exhibition and enriches the multi-sensory experience of visitors. After analyzing the development form of VR art exhibition and the design process of VR art exhibition, this paper puts forward the solution countermeasures of using the sparse 3D map to optimize the presentation of virtual reality visualization scene, refining the 3D scene model and improving the presentation of the surface scene based on the Possion reconstruction for the lack of development of interactive experience in VR art exhibition. As well as based on the dimensions of interactive experiences, Kinect somatosensory interaction technology is used to update the interactive experience design in VR art exhibition planning. Explore the optimization effect of VR art exhibition planning, analyze the visitors’ interactive experience task completion time, participation, and interactive experience degree, and put forward effective countermeasures for the future development of VR art exhibitions. The mean value of scores of VR exhibitions and offline exhibitions are 5.887 and 5.657, respectively, with a difference of 0.23 and a total score difference of 2.07, which indicates that the art exhibition constructed on the basis of VR has a better sense of experience.

The Application of Image Graphic Visual Communication Techniques in Artistic Creation from the Perspective of Digital Media

Abstract This paper first studies the connection between computer image graphics and visual communication and analyses the use of image graphics and visual communication technology in artistic creation. It denoises the image and proposes a method for enhancing blurred light images based on visual communication technology. It also outlines the process of applying computer graphic image processing technology to the field of visual communication design. Then VR technology is combined with visual communication and art design, a 3D image virtual reconstruction system based on visual communication effects is designed, and a 3D image graphical visual art creation method is constructed. Finally, we analyzed the impact of virtual reality art creation in terms of aesthetic evaluation, experience impact, and satisfaction. The results showed that the simple main effect of expression was significant when intensity was perceived for three different types of emotions, as shown by the simple effect analysis of expression on the type of emotion, which were FA(2, 160)=43.05, p<0.001, FB(2, 160)=10.45, p<0.001, and FA*B(2, 160)=12.36, p <0.001. This study complements the research on virtual aesthetics and, at the same time, provides a new research direction for the diversified and integrated development of art.

The way of using digital media based on artificial intelligence technology and the path of creation

Abstract This paper explores new approaches to the application and creation of digital media in the context of the rapid development of artificial intelligence technology, with a particular focus on virtual reality interaction. The study utilizes the spatial distance of the enclosing spheres in the hybrid hierarchical enclosing box and the characteristic of non-intersection between the enclosing boxes for collision detection, and the collision information returned by the rays is analyzed in depth. Meanwhile, the intersection test method is used to improve the efficiency of collision detection. And a subjective evaluation of 10 users’ experience in virtual reality art interaction was conducted. The results showed that the system was highly rated in accuracy (average score of 8.39), but rated lower in simplicity (average score of 4.28). There was a positive relationship between the user’s eye gaze duration and the number of interruptions and misoperations in art interactions. At an eye gaze duration of 0.2 seconds, half of the users did not experience interaction interruptions; when the gaze duration increased to 1.2 seconds, all users had no interruptions. This paper provides a practical reference case for using AI technology in digital media applications and creation, especially in enhancing the accuracy and efficiency of virtual reality interactions.

Multiform Art Design Strategy of VR Technology Based on Visual Design Perspective

Abstract This study uses an end-to-end stereo parallax estimation algorithm using deep learning to construct a mechanism to simulate human eye vision in a virtual reality (VR) environment. By applying the hierarchical detail processing (LOD) algorithm related to human vision, the reconstruction of the virtual reality scene is realized to make it closer to the actual observation effect of the human eye. This technology is widely used in various artistic creations, providing the audience an immersive experience. In practical application, the audience experience of the VR opera “The Drunken Princess” received high ratings of more than 4 points in all dimensions. Among them, the audience’s recognition rating for the production was the highest, reaching 4.438 points. On the dimension of narrative experience, the average rating of VR opera was 4.393, compared to 4.1445 for traditional opera on the same dimension. This result highlights the potential of VR technology in enhancing the narrative experience. In addition, a survey on the awareness of VR painting in different industries found that 54% and 43% of practitioners in the art and design industries were aware of VR painting. In contrast, among non-art professions, the level of awareness was only 22.1% in the education industry and 36.2% in other sectors. This indicates that VR painting is more prevalent in the art and design. Participating in VR painting exhibitions and enjoyment by scanning QR codes was also widely accepted by the public, with a satisfaction score of 47.9167. The study found that providing VR art experiences through easy access can effectively attract and fulfill the needs of a wider audience.

Research on Immersive Art design Experience based on VR Technology

The rapid advancement of virtual reality (VR) technology has sparked enthusiastic exploration by artists and designers in the field of art and design. This integration not only expands the possibilities of artistic expression but also provides an immersive experience for audiences. It is expected to reshape the art and design landscape, enabling artists and designers to push boundaries and create truly transformative experiences for viewers. The main objective of this study is to deeply investigate the immersive art design facilitated by VR technology and explore its potential for innovation in art and its impact on viewers. This paper analyzes VR technology, discussing the differences between VR art and traditional art, and explores innovative VR techniques. Furthermore, this paper summarizes the influence of VR technology on artistic experiences. Lastly, a concluding remark and future perspectives are provided. To summarize, the rapid evolution of VR technology presents immense potential for revolutionizing the fields of art and design.

Can Virtual Art Touch Your Heart?—The Impact of Virtual Reality Art on Affect Considering Individual Characteristics and Aesthetic Experiences

Since the dawn of digital art, discourse regarding its potential persists. This research investigates how a virtual reality (VR) art gallery impacts positive and negative affect, examining the influences of aesthetic experiences and individual characteristics. It explores the connection between measures of aesthetic experiences (self-assessed, heart rate, and heart rate variability) and how gender influences this relationship. Digital art's beneficial effect is indicated by decreased negative affect after visiting the VR gallery, potentially influencing mental wellbeing. Individual characteristics influence this impact on affect after the VR experience, especially openness to experience and affect before the visit, mediated by aesthetic experience, and expertise mediated by heart rate. The findings highlight the potential impact of gender on subjective interpretations of physiological responses in the VR environment. Specifically, women tend to attribute heightened heart rate, a sign of arousal, while men associate increased heart rate variability, a sign of relaxation, to positive experiences in the VR.

Enhancing the Chinese identity of young people in Hong Kong and Macao based on the creation of cinematic virtual reality art, taking the cinematic virtual reality work I love being me: in my place, my home as an example

The subject of this paper is the use of cinematic virtual reality (CVR) to study the issue of Chinese identity. Guided by theories of immersion and presence, taking a cultural perspective (collective memory) on the context of the relationship between mainland China, Hong Kong, and Macao, we created a CVR work titled I Love Being Me: in my Place, my Home. We used CVR as a stimulus for an experiment with the aim of proving that CVR has a significant effect on enhancing the sense of Chinese identity in young people in Hong Kong and Macao. Based on the results of the experiment, we draw the following two conclusions: (1) CVR provides participants with a greater sense of immersion and presence compared to traditional 2D films; (2) CVR should be tailored to local culture—identity, history, language and politics—to maximize participants’ sense of identity and immersion.

The Reading of Art in Virtual Reality in the Postmodern Period

Postmodernism, a mid-20th-century cultural movement reacting against modernism, challenges grand narratives and absolute truth, emphasising fragmentation. Virtual Reality (VR), simulating real or alternative experiences, has become an accessible artistic medium. Postmodern art in VR is self-referential and interactive, exploring reality-simulation dynamics. Artists like Gibson/Martelli's "The History of the Future" transport users to a dystopian future, emphasising activism and choice. Jacolby Satterwhite employs VR for performance, blurring virtual and real through digital sculptures and live presentations. VR in postmodern art prompts questions about reality and viewer-artwork relationships. As users immerse in virtual environments, the line between reality and simulation blurs, challenging traditional ideas of authorship and interpretation. Multiple perspectives emerge, aligning with a postmodern emphasis on plurality. The abstract concludes by asserting VR's role as a platform for postmodern exploration, enabling new forms of expression and interaction, and pushing artistic boundaries.

Testing innovative preparation tools for immersive virtual environments. A case study in the didactics of Art

In recent years, the usage of immersive media and Virtual Reality (VR) has become widespread in the education field. VR has been claimed to offer significant benefits in terms of motivation, engagement, and learning outcomes in various disciplines. In this research, we aim to assess the potential of VR in improving the way university students engage with VR art in the classroom. More specifically, we focus on how this technology can be used to provide preliminary knowledge and training for experiencing immersive art, and how this impacts on the students’ level of satisfaction, immersion, and engagement. Our results contribute to advancing the scientific debate on the usage of VR in the education field; additionally, they may be useful to artists and curators, by suggesting an innovative way of introducing the users to immersive artworks.

Application of computer image technology in 3D painting based on cloud computing

Virtual painting technology is a new technical means of modern art creation. 3D painting is a branch of virtual reality art. It uses computers or other intelligent computing devices to simulate the virtual 3D space environment, so that art creators can immerse themselves in painting creation. The difference between 3D painting and traditional painting is that it is a painting space from two-dimensional to three-dimensional. It is a painting creation process of double immersion of human brain and limbs. We believe that the artistic exploration of 3D painting is helpful to the improvement of painting artistic creation ideas and the expansion of skills. It is an embodiment of enriching the media and visualization of painting. Due to the complexity of 3D painting, this paper creates a cloud platform based on the high-speed and large storage characteristics of cloud computing, which will provide more efficient and convenient experience for 3D painting users. The key to the development of the cloud platform is to build an NX digital modeling and display platform based on cloud computing. Through the compression, serialization and network transmission of the three-dimensional image technology at the NX end, the three-dimensional model is finally displayed in the browser interface, and the basic functions of interacting with the model are provided for users. Cloud computing technology is used to arrange the computing work of 3D model compression into subsequent computing, which greatly reduces the redundancy of users' work. Through the research of cloud computing, this paper applies it to computer image technology, which makes the application of 3D painting flourish.

Immersive Multimedia Art Design Based on Deep Learning Intelligent VR Technology

The rapid development of computer science has led to the rapid development of new media technology. Among them, VR technology is sought after by the vast market for its multidimensional experience and immersive model. VR technology plays an important role in today’s art exhibition and presentation. However, in the process of transforming 2D images into 3D models, traditional VR technology has some problems, such as long loading time, low model decision-making efficiency, and chaotic operation process, which often lead to visual interference when viewers watch art. Based on this background and the interactive page algorithm based on traditional VR technology, this paper studies and improves the visual interference in immersive multimedia art design by using task technology perception matching model (TTF). The results show that the improved task technology perception matching model reduces the visual and auditory interference by 10% in the process of virtual reality art display and viewing, and the model layout is more reasonable, and the utilization rate is higher.

A Review of Virtual Reality for Individuals with Hearing Impairments

Virtual Reality (VR) technologies have the potential to be applied in a clinical context to improve training and rehabilitation for individuals with hearing impairment. The introduction of such technologies in clinical audiology is in its infancy and requires devices that can be taken out of laboratory settings as well as a solid collaboration between researchers and clinicians. In this paper, we discuss the state of the art of VR in audiology with applications to measurement and monitoring of hearing loss, rehabilitation, and training, as well as the development of assistive technologies. We review papers that utilize VR delivered through a head-mounted display (HMD) and used individuals with hearing impairment as test subjects, or presented solutions targeted at individuals with hearing impairments, discussing their goals and results, and analyzing how VR can be a useful tool in hearing research. The review shows the potential of VR in testing and training individuals with hearing impairment, as well as the need for more research and applications in this domain.

Virtual Reality and Youth Incarceration: Methodological Reflections from a Media Education and Research Program

Background: This research aimed to provide young people in a juvenile rehabilitation centre (JRC) with access and exposure to virtual reality (VR) as a growing media technology industry, to offer media education that was fun and engaging, and to introduce the digital arts to participants as a potential career path. The project evolved through a partnership with the Washington State Librarian who, as a part of her role overseeing public library activities, wanted to ensure that newly acquired VR equipment was made available to as many people as possible. This effort included libraries within sites of incarceration. Analysis: This article presents a reflective and analytical discussion on the success and challenges of creating, implementing, and researching a VR art design program in a JRC. Conclusions and Implications: Carceral logics are entangled in research and education, in constant tension with anti-oppressive methods in place. Improvisational action as a design method in media education programs, including VR art design with incarcerated youth, may support greater participation and stronger research outcomes.

User attention and behaviour in virtual reality art encounter

With the proliferation of consumer virtual reality (VR) headsets and creative tools, content creators are experimenting with new forms of interactive audience experience using immersive media. Understanding user attention and behaviours in virtual environment can greatly inform the creative processes in VR. We developed an abstract VR painting and an experimentation system to study audience art encounters through eye gaze and movement tracking. The data from a user experiment with 35 participants reveal a range of user activity patterns in art exploration. Deep learning models are used to study the connections between the behavioural data and the audience’s background. The work also introduced new integrated methods to visualise user attention for content creators.

Research on Multi-sensory Experience of Virtual Reality Art

Since the 20th century, virtual reality art has immensely developed. In recent years, a new cultural transformation has occurred. With the development of computer digital technology, three-dimensional virtual reality generated using computer digital algorithms is providing users a multi-channel experience of sight, hearing, touch, and other senses. This makes them feel as if they are present on the location in nature and allows users to observe things in a three-dimensional space instantly and without restriction. With the continuous development and progress of virtual reality technology, it has also been employed in the field of art, providing artists with multiple opportunities for further exploring the connection and development between art and outside world. Combining virtual reality technology and art to realize virtual reality art has become an important trend in future art development. Virtual reality technology has the characteristic of multi-sensory coordinated expression of works of art. However, the real effect of a virtual reality environment needs to be improved.

VirtualForce: Simulating writing and sketching on a 2D-surface in virtual reality

Realistically writing and sketching on virtual surfaces in vir-tual reality (VR) enhance the potential uses of VR in productionand art creation. To achieve a similar writing experience as inthe real world, the VR system needs to be pressure sensitive to theuser’s stylus on the virtual plane to create the effect of differentpen strokes and improve the user experience. Typical 6 degree-of-freedom (DoF) VR controllers do not measure force or pressureon surfaces because they are held in mid-air. We propose a newmethod, VirtualForce, to calculate the force based on the differ-ence between the user’s physical hand position and their handavatar in VR. Our method does not require any specialized hard-ware. Furthermore, we explore the potential of our method toimprove the creation of VR art, and we present several ways inwhich VirtualForce can greatly enhance the accuracy of drawingand writing on virtual surfaces in virtual reality.

Retracted] Virtual Reality‐Based Digital Restoration Methods and Applications for Ancient Buildings

At a time of rapid technological development, 3D stereoscopic images and virtual reality technology are being used in art and design, as well as in the digital conservation of ancient buildings and their restoration. Virtual reality art is a high degree of integration between art and digital technology and is a new form of digital art. As a means of presenting architectural art, digital restoration of ancient buildings is a form of expression that combines knowledge, art, and technology. The digital restoration of ancient buildings and the creation of a 3D interactive display system are of great value for the realization of real space and the preservation of ancient sites. In this paper, we design a system that combines 3D stereoscopic and virtual reality technologies for the restoration of ancient buildings. Through the research and practice of this system, it can be translated into relevant design application research in other art and design fields, which is of great practical significance for future virtual reality expansion space.