Video Broadcasting Research Articles

Kültür Endüstrisi ve Kitle İletişim Araçlarının Etkisi Bağlamında Televizyonun İşlevinin Yeniden Değerlendirilmesi ve Netflix Örneği

The culture industry destroys the differences of people through culture, homogenizes them and integrates them with the existing order. In other words, it reproduces the system by shaping people behaviorally and intellectually through mass production and consumption. By using mass media, culture has been rationally integrated with entertainment, standardized and become a part of capitalism. Thus, people forget their pain and avoid thinking and critical approach. The boundaries between reality and actual reality are deliberately blurred by the culture industry and people are trapped in an illusion. Television is important because it is the mass media that transforms culture into entertainment and that people are exposed to the most. Image and representation have replaced thinking and speaking on television. It provides an entertainment framework with programs in the television broadcast stream. While millions of short-term and constantly flowing pictures make it necessary to exclude thought, people become alike and ready to be shaped by having fun. In this study, information will be given about the Frankfurt School, and then the function of television will be tried to be explained by examining the relationship between the culture industry and mass media on the basis of the thoughts of Adorno and Horheimer.

Ugo Tognazzi, Raimondo Vianello, and Un, due, tre: Establishing Italian Television Audiences, Genres, and Expectations in the 1950s

ABSTRACT During the 1950s, comedy actors Ugo Tognazzi and Raimondo Vianello were the famous faces of Italian variety television thanks to their roles as hosts of the popular series Un, due, tre (1954-1959). In addition to proving popular with audiences, the programme played an important role in establishing the nature of variety television in this period, and the expectations of Italian television more broadly, given the regular focus in each episode on the nature of the medium itself. This article explores this focus on television and the wider role played by Tognazzi and Vianello as hosts of Un, due, tre as a way of exploring the nature of Italian variety television in the 1950s. In particular, it examines how the two stars appealed to and connected with viewers in a way that established a nascent national television audience and expectations regarding entertainment programming and television broadcasting in this period.

Innovation in true crime: generic transformation in documentary series

ABSTRACT This discussion explores innovation in true crime programming on streaming platforms and on-demand catch up broadcast television services. Altered consumption habits from long form programming and binge viewing on streaming services has prompted innovations in factual content through docuseries. Commencing with Reality Television police procedurals such as the long running US series Cops ([1989–2023]. Cops. TV Series. Fox. 1989–2013, 2023. Paramount Network 2013–2020. Fox Nation 2021–2023), the true crime genre has expanded into long-form docuseries. This expansion coincides with streaming platforms that service contemporary consumption habits based on unscheduled, on-demand spectatorship practices. Underbelly ([2008–2022]. Underbelly. TV Series. Screentime; Nine Network) is an Australian true crime franchise and early innovator of true crime serialisation. Spanning both broadcast and streaming eras, Underbelly serves as a counterpoint in this discussion of innovations in long-form documentary serialisation in the Netflix programs, Making a Murderer ([2015–2018]. Making a Murderer. TV Series. Synthesis Films; Netflix) and The Staircase ([2004–2018]. The Staircase. TV Series. Canal+, Episodes 1–10. Netflix, Episodes 11–13). Discussion of each series reveals how narrative innovation functions as generic transformation in response to new television on-demand platforms and delivery modes.

Cognitive mechanisms of the formation of new words in German media

The article is devoted to the study of the discourse of the German mass media, addressed to the topic of the coronavirus pandemic. Using the examples of magazine articles, television broadcasts and blogs in social networks, a conceptual analysis of the ways of word-formation activity of the German language in the era of coronavirus restrictions is carried out. The subject of the study is the cognitive mechanisms of word formation of the German language and their pragmatic features. The object of the study was the coronavirus discourse of the German-speaking language space. The aim of the work was to reconstruct some concepts of the discursive field "Coronavirus infection", as well as to describe the cognitive mechanisms underlying their formation on the basis of linguistic data. The methods of conceptual and prototypical analysis, as well as cognitive modeling and contextual analysis were used in the study of cognitive mechanisms of word formation. The relevance and novelty of the research lies in the study and description of the latest word-formation phenomena and trends in German-speaking social discourse. As a result of the research, the regularities of the functioning of the main cognitive mechanisms of concept formation were deduced and formulated. The analysis of the German media discourse during the coronavirus pandemic revealed new basic concepts and concepts-components that form conceptual fields. The basic concepts we attributed, for example, such as "Corona", "Mundnasenschutz", "Distanz", "Lockdown", "Panick". As a result of the study, it was concluded that the basic concepts form conceptual fields, including component concepts, the methods of language verbalization of which imply the presence of emotive and evaluative components. The studied and described language material allows us to conclude that the main cognitive mechanisms of concept formation are profiling, conceptual metaphor, conceptual metonymy and contamination.

Sex differences in children’s exposure to food and beverage advertisements on broadcast television in four cities in Canada

Sex differences exist in children's obesity rates, dietary patterns and television viewing. Television continues to be a source of unhealthy food advertising exposure to children in Canada. Our objective was to examine sex differences in food advertising exposure in children aged 2 to 17 years across four Canadian English language markets. We licensed 24-hour television advertising data from the company Numerator for January through December 2019, in four cities (Vancouver, Calgary, Montréal and Toronto) across Canada. Child food advertising exposure overall, by food category, television station, Health Canada's proposed nutrient profiling model, and marketing techniques were examined on the 10 most popular television stations among children and compared by sex. Advertising exposure was estimated using gross rating points, and sex differences were described using relative and absolute differences. Both male and female children were exposed to an elevated level of unhealthy food advertising and a plethora of marketing techniques across all four cities. Differences between sexes were evident between and within cities. Compared to females, males in Vancouver and Montréal viewed respectively 24.7% and 24.0% more unhealthy food ads/person/year and were exposed to 90.2 and 133.4 more calls to action, 93.3 and 97.8 more health appeals, and 88.4 and 81.0 more products that appeal to children. Television is a significant source of children's exposure to food advertising, with clear sex differences. Policy makers need to consider sex when developing food advertising restrictions and monitoring efforts.

SMPTE Almanac

<fig orientation="portrait" position="float" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink"> <graphic orientation="portrait" position="float" xlink:href="dolan-3265094.tif"/> </fig> In this column, we provide interesting historical briefs from the journal articles of days past. The purpose of this column is primarily entertainment, but we hope it will also stimulate your thinking and reflection on the Society’s history, how far we have come in the industry, and (sometimes) how some things never change. This column is sponsored by Television Broadcast Technology, Inc., since March 2001: <uri xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">http://ieeexplore.ieee.org/document/7257346</uri>

Sports Commentary on Ukrainian Television Broadcast

The purpose of the article is to study the history of sports broadcasting in Ukraine and the formation of the commentator profession; to find out the specifics of sports television and the methods of its influence on the Ukrainian audience; to identify the skills required in the work of sports reporters and commentators; to analyze modern technologies for improving voice and diction and to structure the components that influence the formation of high-quality audiovisual material. Research methodology. The following research methods were used in writing the article: analysis and synthesis (the work of sports TV channels in Ukraine was analyzed and systematized), comparative approach (parallels were drawn between the work of public and private broadcasters), generalization (conclusions have been drawn based on the literature); systematization (all information collected during the research was systematized). The scientific novelty of the results obtained is the study of the history of sports broadcasting in Ukraine, as well as the ratings of popular TV channels broadcasting football matches, the analysis of modern sports TV channels and their interaction with the viewer, and the evaluation of the work of well-known Ukrainian sports commentators. With the help of theoretical analysis of audiovisual material, the factors that develop the professional suitability of individual television specialists are described. Conclusions. Using the audiovisual content analysis, the article describes the constituent aspects of television journalist work and commentary. The main components to be a part of modern competitions on the air are considered. The history and state of Ukrainian sports broadcasting are studied. Methods of audience retention were analyzed. The factors affecting the quality of the content and the methods of influencing the audience have been clarified. Ways to improve TV stories and comments have been identified.

STUDI SEMIOTIKA: ANALISIS "GOLDEN SPOON" PADA DRAMA KOREA GHOST DOCTOR

Korean drama, which is one form of the Korean wave, is a favorite show in modern society today. One of the reasons why Indonesia can easily receive Korean Drama shows is that Asian culture is still close and common, such as stories that talk about love and self-sacrifice. Not only Indonesia, but South Korean drama fans are also from various countries. Seeing this, OTT (over the top) service providers flocked to buy broadcast rights from South Korean television broadcasters and from production houses. For example, a Korean drama entitled Ghost Doctor airs on the OTT Iqiyi and Viu platforms. The drama, which adopts the medical fantasy and comedy genre, tells of a resident doctor named Ko Seung Tak who is doing an internship at his family's hospital, Ko Seung Tak who also has a "golden spoon" economic status has a personality that is inversely proportional to Cha Young Min (Professor Cha). Professor Cha is described as a thoracic surgeon who is genius and arrogant, one day he has an accident so that the spirit of Professor Cha is able to enter Ko Seung Tak's body. Professor Cha uses Ko Seung Tak's body to save the patient. The purpose of this study is to examine the golden spoon in the drama Ghost Doctor through Charles Sanders Pierce's semiotic analysis consisting of sign, object, and interpretant. The results obtained are that there are five scenes of a golden spoon in Ghost Doctor Korean drama.

Francesca Vella, Networking Operatic Italy

The intersection of opera and technology has been a fruitful area of study in recent years, with scholars regularly examining audiovisual media from the mid- to late twentieth century to the present day (such as television, film, and live broadcasts) as well as their technological predecessors (sound recording, silent cinema, and radio). An increasing contingent of scholarship continues to expand such considerations back into the nineteenth century, harnessing interests in operatic intersectionality to investigate the genre’s relationship with older technologies.1 Francesca Vella’s Networking Operatic Italy engages the broad range of this discourse, presenting a rigorously researched investigation into the Italian opera industry’s encounters with nineteenth-century technologies while simultaneously reframing historical media as predecessors to those intertwined with operatic production and circulation in the twentieth and twenty-first centuries. In this persuasive and multifaceted study, Vella provides a compelling examination of the convergence of Italian opera and technology, focusing on the intersection of local, national, and international operatic networks in the decades surrounding Italian Unification. In so doing, Vella harnesses an impressive array of recent scholarly trends, engaging interdisciplinary discourses surrounding mobility, materiality, technology, temporality, and voice in crafting an innovative and nuanced study of Italian opera’s production and circulation.

Bibliometric analysis of holographic data storage literature

Objectives. Snapshots of data can be stored in a holographic medium at varying depths. Data can be written via a spiral data channel in spinning holographic media in the form of circular disks like CDs or DVDs. This data is then read by shining a reference beam through the refraction following writing. However, holographic storage is distinct from CD/DVD media in the sense that information is encoded in all three dimensions. Two-dimensional data is written using a single laser beam that spirals around the material. Prototype holographic storage solutions use minuscule cones formed by individual snapshots or pages to store one million pixels. As compared with magnetic disks and tapes, which have a finite lifespan of 50 years at most, the longevity and dependability of optical media storage is advantageous for long-term archiving. Holographic technology allows for the portability of data-intensive media such as broadcast or high-definition video. However, the shelf life of holographic media remains low due to its sensitivity to light. The primary goals of most storage devices are more storage space and faster data transport. Holographic storage devices have the potential to outperform traditional optical storage devices both in terms of capacity and performance. The present paper aims to evaluate the current international research trends in Holographic Data Storage (HDS) and produce a graphical mapping of co-authorship and countries.Methods. The major outputs of the dataset were authors, document type, publication, institution, nation, and citations. After exporting 1052 data sources, HistCite software was used to analyze the citations; visualization mapping was carried out using VOSviewer software and R programming language for the analysis of the authorcountry-title association on Holographic Storage Devices.Results. The most prominent authors, papers, journals, organizations, and nations in the field of HDS were identified in HistCite. Then, four clusters were investigated using VOSviewer based on author keywords, citation collaboration networks among different organizations, countries, and the HDS co-authorship network.Conclusions. During the study period from 2000–2020 (21 years), 4636 authors contributed to 1052 publications. The highest number of publications was in 2009, with a linear adjustment of R2 = 0.0136. The most prolific author, Lee J., published 3.14% of the articles on this subject. In terms of country distribution, Japan took first-place ranking, claiming 16.54% of the total number of articles. The “holographic” keyword was used in 62.55% of the articles.

Investigative Assessment of the Impact of Perturbations on the Digital Terrestrial Television Broadcasting Signal

This study examines the effects of perturbations on the digital terrestrial television broadcasting (DTTB) signal in Jos, Plateau State, Nigeria, using measurement-based performance analysis. In order to examine the effects of environmental perturbations on DTTB signal, measurement campaign used the Nigerian Television Authority, Integrated Television Services (ITS) digital video broadcasting -second generation (DVB-T2) signal. The aim of the research was to identify the environmental and atmospheric perturbations with highest impact on DTTB signal. Field measurement was accurately obtained throughout the measurement campaign using the E8000 series spectrum analyzer, a DVB-T2 receiver, and other facilities in order to actualize the two important measurement characteristics, such as field strength and received signal strength (RSS). The outcome showed a significant amount of dips in route A, depriving towns surrounding rocky hills of a DVB-T2 signal, as demonstrated in the Du community with RSS values of -87.1 dBm, 85.2 dB , and -27.8 dB V/m, -23.9 dB V/m for field strength. Additionally, the results show that signal performance was better in the dry season compared to the rainy season (more primary coverage in the dry season compared to the rainy season), with the RSS value being -41.6 dBm versus -36.4 dBm and the field strength value being 34 dB/m versus 38.6 dB/m for route A, or the same on route B. Solving signal propagation issues requires understanding the fundamental metrics driving an increase in perturbations in any broadcast environment. Creating a model to address these issues will help with system evaluation, network planning, and broadcast service operation, ensuring quality of service (QoS).

Влияние внешних и внутренних факторов на формирование самосохранительного поведения лиц старшего возраста (региональный аспект)

Health has been one of the components of vertical social mobility since ancient times; it also contributes to the preservation of human life in front of the "forces of nature". On the territory of the Russian Federation, annual monitoring is carried out to assess the standard of living in the regions of the country, which takes into account not only economic, political indicators, but also social, including the health of the population. It should be noted that in the process of life, the health of an individual is influenced not only by the socioeconomic, environmental situation in a particular region of the country, but also by the actions performed by the individual in relation to health, which may be aimed at its preservation or at its deterioration. Within the framework of sociological thought, "self-preservation behavior" refers to the actions of individuals or social groups aimed at prolonging and preserving longevity. Taking into account the socio-economic transformations (pension reform (2019), the epidemiological situation caused by COVID-19 (2020) that occurred in Russian society, the author of the article formulated the task of analyzing the influence of internal and external factors on the self-preservation behavior of older people. To solve this problem, the author conducted a sociological study using the methods of questionnaires and in-depth interviews, consisting of two stages (stage 1 (from 2016 to 2017), n = 500 people, of which 38.2% are men, 61.8% are women, stage 2 (from November 2020 to March 2021), n = 400 people, of which 33% are men, 67% are women. Both studies used a multi-stage sampling (the first stage included the method of quoting respondents by gender and age, the second stage of the survey used the method of the available case). As a result, it was revealed that older people in the process of preserving and maintaining longevity listen to family members and doctors' prescriptions. According to the results of the questionnaire survey, it was revealed that older people often spend their free time watching TV, but at the same time, the level of trust in the information provided in television broadcasts regarding health is low among older people.

SMPTE Almanac

<fig orientation="portrait" position="float" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink"> <graphic orientation="portrait" position="float" xlink:href="dolan-3252010.tif"/> </fig> In this column, we provide interesting historical briefs from the journal articles of days past. The purpose of this column is primarily entertainment, but we hope it will also stimulate your thinking and reflection on the Society’s history, how far we have come in the industry, and (sometimes) how some things never change. This column is sponsored by Television Broadcast Technology, Inc., since March 2001: <uri xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">http://ieeexplore.ieee.org/document/7257346</uri>

Signal propagation curve for digital television broadcast network in Nigeria

Signal propagation curve for digital television broadcast network in Nigeria

Learning through radio and television during COVID-19: perspectives of K-12 stakeholders

The COVID-19 pandemic has disrupted traditional education, leading to the adoption of alternative methods, such as learning through radio and television for K-12 students. Television and radio became popularly adopted platforms to disseminate educational resources during the pandemic in developing countries, such as Nigeria. This study gathers the perspective of K-12 teachers and students during the crisis to find out the effectiveness of the utilized platforms, examine the challenges encountered, and suggest the way forward in case of future occurrence. The concerns-Based Adoption Model (CBAM) guided the study. A qualitative methodology of interpretivism was employed using 20 participants that comprise students and teachers across the five south-western states in Nigeria. Findings show that teachers adapted their lessons to be delivered through broadcasts, while school administrators have worked closely with broadcasters to develop and implement educational content. Students have had mixed experiences, with some finding radio and television engaging, while others face challenges with engagement and adaptability. In essence, the result shows that most of the respondents though acknowledged the effectiveness of the radio and television approach to learning but opined that the lessons are not detailed enough. Furthermore, educational television broadcast is preferable to radio lessons as the visual effect contributes significantly to learning. The study concludes that broadcasters have played a critical role in delivering educational content, partnering with schools, and developing programs that align with the curriculum during the pandemic. The study discussed its implication, followed by limitations, and gave direction for future studies.

‘K-명사’ 형식의 신조어 사용에 관한 사회언어학적 연구: 1997년부터 2021년까지 뉴스 방송 자료를 중심으로

This study aims to describe the use of neologisms using the ‘K-NOUN’ form, such as ‘K-pop,’ over 25 years (1997~2021) in recent Korean society. In order to trace whether there has been any change in the use of K-NOUNs, examples were collected from the news transcripts of a Korean television broadcaster (MBC). Subsequently, the referents of the K-NOUNs were categorized into nine types according to the nine root nodes for nouns in lexical semantic networks (Korlex and WordNet). The analysis shows that only limited types of K-NOUNs were used to refer to some concrete entities initially; however, the types of referents have become diverse. Consequently, the analysis shows that 129 kinds of K-NOUNs were used during the period. The increase in the kinds of K-NOUNs would appear to be caused by the onset of Hallyu, the Korean Wave.

Bibliography History of the Development of Mass Media Law of the Republic of Kazakhstan

In order for the pluralistic system in radio and television broadcasting, that is, the mixed system, to function according to democratic rules and with the understanding of public service, it is necessary to mention the freedom of expression (right to speech) first. Freedom of expression is one of the cornerstones of pluralistic democracies. Freedom of expression as a sine qua non condition of democracy holds an important place in public life. When examining the historical developments of the Constitution and the law of mass communication, only freedom of expression will be considered from the point of view. Due to the fact that the main field of study is not law, the concepts of freedom of expression have been discussed in the legal concepts without going into too much detail to form the main framework of the subject. Therefore, freedom of expression, communication law, political science and communication are synthesized in this study. The Republic of Kazakhstan is a state established in 1991 after seceding from the former Union of Soviet Socialist Republics (USSR). In this respect, the government developments from the Communist system of the mass media to the present day have been discussed. The freedom of expression and speech and the freedom of mass communication are constitutionally guaranteed by the Republic of Kazakhstan (Article of the Constitution of Kazakhstan.20). In this way, the society is informed about the events that are developing thanks to mass media, is informed, has fun and has the opportunity to educate itself. Despite the guarantee of freedom of expression in the Constitution, the broadcaster cannot fully prepare and broadcast the programs it currently wants for the freedom to organize an unlimited program in Kazakhstan. Here, it is seen that the country has achieved independence by getting rid of the 70-year colonial policy and that regime change is an important factor. In this context, it is necessary to establish an impartial, independent and autonomous regulatory and supervisory supreme council in Kazakhstan in the Western manner.

Object of Related Rights of Broadcasting Organizations

The article is devoted to the characteristics of the object of related rights of a broadcasting organization. The subject matter of the study is the legal regulation of this object in the Laws of Ukraine “On Television and Radio Broadcasting”, “On Copyright and Related Rights” of 1993, and the Civil Code of Ukraine whose provisions contained conflicts for a long time, and the Law of Ukraine “On Copyright and Related Rights” of 2022. The purpose of the article is to provide a comprehensive characterization of the broadcasting organization program as an object of related rights and to determine its relationship with the separate show of the broadcasting organization. The study was conducted using historical, comparative legal, formal legal, dialectical and logical methods. It is substantiated that a separate show, in case of a creative contribution to its creation, is an oral work (radio show) or an audiovisual work (television show) capable of copyright protection. Related rights of broadcasting organizations extend to a set of shows and other materials combined in the program but not to individual components of this program. This approach is also reflected in the provisions of the new Law of Ukraine “On Copyright and Related Rights” of 2022. It is determined that the program of broadcasting organization is not identical to a composite work since its legal protection covers the result of not creative selection and arrangement of certain materials but organizational and technical efforts to compose certain objects into a complete program.

Assessment of the Relationship Between Television Broadcast Viewing and Attitudes Towards Domestic Tourism Among Mwanza City Residents

Assessment of the Relationship Between Television Broadcast Viewing and Attitudes Towards Domestic Tourism Among Mwanza City Residents

Strategizing of digital transformation of an industrial enterprise (on the example of Federal State Unitary Company “Russian Television and Radio Broadcasting Network”)

Technological characteristics and the scale of terrestrial broadcasting determine the status of FSUE “Russian Television and Radio Broadcasting Network” as a systemforming enterprise regarding terrestrial broadcasting of the all-Russian mandatory public TV and radio channels. In order to implement the import substitution program it is advisable to perform a digital transformation of the company, which can be successful if the strategy chosen has goals and objectives structured and synchronized in time and resources with the potential capabilities of the management object. The author uses Professor V.L. Kvint’s methodology of strategizing to formulate conceptual propositions of the strategy of digital transformation of the Russian Television and Radio Broadcasting Network. The area and subject of strategizing are the existing in the internal and external environment key processes of the enterprise whose degree of digitalization is vital for the success of the project implementation. The author formalized the basic indicators that characterize the solution of the task of creating a highly effective system of management of a television and radio broadcasting network, which provided the opportunity to specify priority directions (programs) of digital transformation. It is pointed out that the basis of the correct movement on the trajectory from Industry 3.0+ to the state of Industry 4.0 is ensured by a properly prepared strategy in which the priorities contain a system of objectives for their implementation.