This paper studies the King of Sacks (Rey Costales), a mythical character in Zumpahuacan’s oral narrative. This so difficult to grasp character, and its protean condition, oriented the research into determining its identity. According the stories, King of Sacks is kind of a «spirit» or «Banshee », but its behavior is that of an «Air”, a Mesoamerican supernatural being. However, its high degree of individualization —as manifested in the consciousness of its pagan status as well as in the lack of links with the atmospheric phenomena affecting crops— required some clarifications. As expected, there is a conflict or symbolic-religious adjustment between Christian beliefs and vernacular beliefs, but above all, a larger cultural realignment revealing the process of looking for balance in collective imagination as a result of a community’s new circumstances, no longer mainly agrarian and indigenous. Beyond this adjustment, the narrative shows the creativity of Zumpahuacan’s inhabitants, projecting their ability to shape their experiences anchored in pre- Hispanic past, but in the light of present experiences and circumstances.
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