Badger and Coyote Were Neighbors. Jacobs on Northwest Indian Myths and Tales. Edited by William R. Seaburg and Pamela T Amoss. Northwest Readers. (Corvallis: Oregon State University Press, 2000. Pp. 310. $24.95 paper) Much of what can now be known of the oral literature of Native Americans of what are now the states of Oregon and Washington is due to Jacobs. Certainly this is true if one adds through their own languages. Trained by Franz Boas for such work, Jacobs, while in some ways all his life a dapper New Yorker, went west in 1926 to work with Sahaptin, then little studied. From this came his dissertation, a grammar of Klikitat Sahaptin, and a rich body of texts, some still unpublished. Jacobs stayed on at the University of Washington, devoting himself to preserving as much as possible in the languages of the region. He had the great luck to discover Victoria Howard, a speaker of Clackamas Chinook, thought extinct. From her, before she died, he took down two volumes of text, material that continues to attract interpreters. He obtained valuable texts in both of the Coos languages (Hanis, Miluk) from Annie Miner Peterson. He brought out the one collection of texts in the several varieties of Kalapuya, many obtained by himself, many obtained earlier by another Boas student, Leo Frachtenberg. The latter include fine myths and reflections in Mary's River Kalapuya from William Hartless. In this work he was aided by John B. Hudson, who had known Hartless, and who himself provided texts in Santiam Kalapuya. Seaburg and Amoss present an attractive, scrupulous account. The first part, Melville Jacobs: An Introduction to the Man and His Work (1-30) together with a bibliography of Jacobs's work (31-36), is admiring but not uncritical. The second part, Toward a Theory and Method of Literature Research reprints five essays on approach and interpretation. There follows in two parts a small anthology of English translations, nine as Oral Traditional Texts with Interpretations, eleven as Oral Traditional and Ethnographic Texts. Five in the first set, one in the second, with detailed interpretations, are from a manuscript left unpublished at Jacobs's death. Each chapter's headnotes inform as to narrators and other sources, and many offer context and subsequent work by others-they are models of their kind. Let me note that chapter 10, Joe Hunt's Sun and his Daughter (Klikitat Sahaptin) is a likely source for a remarkable transformation in Charles Cultee's Sun's Myth in nearby Kathlamet Chinook (cf. Hymes 1995). Here, as usually elsewhere, however, Jacobs does not consider neighboring versions. Nor, oddly, given his psychological interest, does he consider that a version might represent an individual response to tradition (as I believe is the case with Victoria Howard's Seal and her Younger Brother; cf. Hymes 1995). Interpretation treats of a culture. Jacobs had a fine hear, a strong work ethic, and devotion to many of those with whom he worked. He was also capable of succinct judgements on colleagues he did not like. He considered his work part of science, and at the same time drew partly on psychoanalysis for interpretation. …
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