Experience as Tactic:Playing Along with Developmental Urbanism in the Urban South John Zarobell (bio) AbdouMaliq Simone. Improvised Lives: Rhythms of Endurance in an Urban South. Cambridge: Polity, 2018. 120 pp. $15.99 (pb). ISBN: 9781509523399 This slender volume contains some weighty reflections on a career spent inhabiting and studying cities in the Global South. Like many urban scholars, AbdouMaliq Simone weaves a lot of recent political and social theory into his interpretations of urban experience but what strikes the reader most forcefully is his method. At first, it may seem a bit like wandering yet coheres rhythmically into a kind of provocation, one which challenges not only the apparent coherence of urban development narratives but, even further, the ontology of knowledge around urban subjectivity. As a theoretical intervention, it provides an alternative model for figuring those subalterns who do in fact speak but cannot reasonably be spoken for. By following geographic and temporal disjunctions and re-articulations, Simone investigates those people who inhabit the areas society deems uninhabitable and explores an ethics of care not from a perspective of law or class, but from the engagements, improvisations and rhythms that make up a peripheral life. There are a handful of central themes explored in this book. Considering them in turn will yield successive layers that underscore the complexity of this book. He opens with "districting": By districting, I mean a process of creating a platform for operating in the world using a repertoire of available classifications and administrative categories to set out a terrain that is then turned into something that exceeds all efforts to definitively pin it down, to contain what it can do. This surfeit of experience provides the opportunity for residents to write themselves into a milieu that otherwise might seem to marginalize them and their way of doing things. (5) [End Page 1138] Needless to say, such a conception owes a lot to poststructuralist theory and this sounds a bit like bricolage. By way of genealogy, one can perceive traces of Levi-Strauss, de Certeau, as well as Deleuze and Guattari and their followers, Hardt and Negri. That said, it is impossible not to notice the ways that Black thinkers animate this volume in order to articulate of the dynamics of contemporary urban life. The book opens with a discussion of concepts developed by Katherine McKittrick and Fred Moten and districting, as discussed above, relates directly to the dynamic of subjugation. But there is something slippery about Simone's conception here. If a district is a bound space, whether physically or conceptually, how can districting exceed efforts to pin it down? Experience seems to be a tactic—in Gramsci's sense—to evade the pattern of social and political marginalization among the dispossessed. What is more, the container of this experience who performs this half-step is not named by Simone as a subject per se because, to be blunt, the whole notion of subjectivity is proved by this population to be utterly irrelevant. Their capacity as political subjects is marginal at best, so Simone has devoted enormous energy over the course of his career to theorize what the alternative to an urban subject might be for a denizen of what he terms the "Urban South." The next concept, "Ensemble Work" is demonstrated through a remarkable series of vignettes, some of which recount a personal history, so his model becomes both autobiographical and multidimensional. Once again, it is hard to conceive what ensemble work means exactly to his theory because his thinking and presentation are decidedly non-linear. By now, the reader will have realized that there is something fundamentally anti-systematic in his approach and his alternative, derived from jazz pioneer Ornette Coleman, is harmolodics. As the author explains, "Harmolodic modulation is the method of moving the same notes-as-written from one clef to another in order to yield various names accompanied by a parallel modulation where the same notes are played on different instruments in order to realize various sounds" (35). Names and sounds are indeed what Chapter 2 yields: place names such as Jakarta, Free Town, Naples, Chicago, and Les Abricots (Haiti). The "sounds" that emerge are conceptual placeholders such as...